Kings of War merges Henry V, Henry VI and Richard III into one explosive performance about leadership. In successive kings, Shakespeare sketches an image of political leaders, face to face with the ultimate responsibility for life and death in times of war. Shakespeare’s kings are political leaders who come face to face with the ultimate responsibility: they must make the life-or-death decision of whether to go to war. Shakespeare draws us into the psychology of the rulers, while also revealing the machinations of their courtiers and advisors. Kings of War lays bare the mechanisms of decision-making in times of political crisis, exposing the dichotomy between national interests and self-importance.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

The film highlights the sacred bond with another human being through nuptial rituals and the sanctity of the institution of marriage.

An orphaned bear cub is adopted by little Emily and her family. They name the cub Masha, raise her and release her back into the wild. Three years go by, and Emily is lost deep in the forest. Cold, frightened and alone in the darkness, she falls and is knocked unconscious. When she awakens, Emily is amazed to see that a brown bear has kept her warm and dry all night by cuddling her. It's Masha – and Emily is overjoyed to be reunited with the bear just when she needs a friend most. Together the two bravely set off on an adventure to find their way home. Bear With Me is a tale the whole family will find as exciting as it is heart-warming . . . and the magnificent forests of the Pacific Northwest lend this story of loyalty, friendship and adventure a magic all its own.

Directed by Jordan Blady, One Temporary Escape captures New Zealand band The Naked and Famous live at The Warfield in San Francisco towards the end of their two year "Passive Me, Aggressive You" world tour.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Short film about family relations.

莫舍·艾弗是兹，一个失意的诗人风光不再了，谁与他的老放荡不羁的朋友经常光顾的咖啡厅利亚百灵运行同情母亲的身影谁一直保持持续超过30年的地方。咖啡厅曾经是家庭对艺术家和知识分子，现在它是oddballs和弃儿，包括一个避风港：暴力的阿拉伯画家刚从精神病院的，酒精妈妈的男孩谁口吃，一个大男子主义的断肠音乐家和一个弃儿比利时移民摄影师。房东穿利亚挤压并威胁要摧毁建筑物。通过事件的离奇链，兹和他的朋友们联合起来拯救咖啡馆，进而自救。关于人艰难地维持着理智在一个疯狂的现实关闭拍喜剧

Maria cannot stand her husbands jealousy any more. He treats her in a violent way, a proof of their relation is going through a crisis. A trip they were planning to take together aiming at the amelioration of their relationship, confronts them with sex, violence and a deadly secret. Giannis appears in Marias life and they soon become lovers. The boundaries between freedom and jealousy are hardly

Two childhood friends take a rifle into the mountains, and return with a secret.

Malcolm is on the verge of marriage and he wants Duncan to be his Best Man, but what is Duncan hiding? In this tale of deception, three of Australia's up and coming talents explore the question: How well do we know our friends?

In a fishermen's town in Texas, the kids Amy and Raul are close friends. Andrew, uncle and guardian of Amy is alcoholic, but she loves him. The three of them have to face the autorities when they try to take Amy away.

Three young men from western Europe are bringing humanitarian aid to a remote Transylvanian village. They’ll also be the recipients of a little humanitarian aid themselves.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

Sam sets out to save a pack of wild wolves and a conservation refuge with the help of the town's handsome newcomer.

Naan Avanillai 2 (English: I am Not Him) is a 2009 Tamil romantic mystery film directed by Selva. It is the sequel to the Naan Avanillai (2007). Jeevan reprises the lead role, while the female roles are enacted by Sangeetha, Lakshmi Rai, Shweta Menon and Sruthi Prakash and Rachana Maurya. D. Imman, who did the film score for the first part of the film, replaced Vijay Antony as the music director. The film was released on 27 November 2009 to extremely negative reviews