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郭富城 舞临盛宴世界巡回演唱会香港站 2011/2012
0h 0m
2011
HD
舞台王者郭富城,2011年12月18日至2012年1月3日於香港紅館舉行跨年共17場《舞臨盛宴》世界巡迴演唱會香港站,以3D立體視覺技術配合舞蹈再創舞台里程碑,之後在台北小巨蛋、新加坡、澳門、深圳和廣州繼續上演。其中2013年,Aaron於3月17至25日再舞臨紅館,在2013香港站安哥篇加設五百萬道具打造金鑽舞台,並向香港賽馬會借用其馬匹「愛的呼喚」的馬鞍作舞台演出。 《郭富城舞臨盛宴世界巡迴演唱會》以五碟裝DVD發行,當中收錄2011/2012香港站視聽版Live 2DVD和安哥篇2013香港站、附有卡拉OK字幕版Live 2DVD,以及全長34分鐘的雙部曲演唱會製作特輯。
类型
音乐
演员
郭富城
导演
相关
2005
郭富城 舞台寶典@飞跃舞林演唱會 2005
10/1
舞台王者郭富城再創舞林經典! 為慶祝踏入紅館十周年,郭富城在去年10月舉行了一連六場的演唱會《郭富城舞台寶典@舞林大會2004》。演出獲各界一致好評,城城更被封為舞台王者。於是在今年6月再度加開二部曲《飛越舞台演唱會2005》。在二部曲中,城城更破天荒剃光頭髮,以光頭形象與歌迷見面。城城也繼續大玩百變狂野形象,以十多個不同造型示人,如「機械人」、「日本武士」、「慾望之翼」,再加上特別設計的「空中舞台」及連場勁歌熱舞,為歌迷帶來不少驚喜。演唱會中,城城大唱了多首名曲,包括「對你愛不完」、「最激帝國」、「狂野之城」、「到底有誰能告訴我」、「我是不是該安靜的走開」和「愛的呼喚」等。此外,城城為向梅豔芳、羅文和張國榮這三位巨星致敬,特別重新演譯了他們的名曲「夢伴」、「壞情人」和「無心睡眠」。 《飛越舞台演唱會2005》DVD特別收錄舞蹈總監- 郭富城@舞林群英對談篇。
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郭富城 舞台寶典@飞跃舞林演唱會 2005
2013
LAND
8/1
LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)
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LAND
2020
FILM
7/10
A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.
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FILM
2018
Srinivasa Kalyanam
5/4
The film highlights the sacred bond with another human being through nuptial rituals and the sanctity of the institution of marriage.
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Srinivasa Kalyanam
1939
Irish Luck
5/3
A spunky young bellhop investigates the murder of a hotel guest.
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Irish Luck
1937
Oriental Paradise
5/1
This TravelTalk entry brings us glimpses of flower arranging, a temple deer park, and Mount Fuji.
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Oriental Paradise
2014
Ihr und eure Welt
3/2
Short film about family relations.
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Ihr und eure Welt
1992
Vietnam Colony
7/20
Krishnamurthy is appointed by a real estate company to vacate Vietnam Colony, a place buzzing with illegal and antisocial elements.
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Vietnam Colony
1996
All That is Tender
9/1
A young man Danesh learns of ancient relics, including a ruby that once a year can help find treasure in the Canyon of Scorpio. As the old man holding the knowledge passes away, Danesh receives the ruby and a map, setting out for an adventure full of mystery and danger, friend and foe, set under the dazzling southern sun.
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All That is Tender
1980
The Red Kitchen
5/4
On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.
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The Red Kitchen
2008
BLAST!
7/1
With extraordinary access, BLAST exposes a world of risky, hardcore, scientific adventure. The story follows an international team of astrophysicists trying to launch a multi-million dollar telescope on a NASA high-altitude balloon. Their journey to discover thousands of early galaxies takes them from the Arctic to the Antarctic. Revealing frustrations, inevitable failures and ultimate triumph, BLAST puts a human face on the quest to answer our most basic question - How did we get here? (IMDb)
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BLAST!
2005
Phobias: XX
7/3
The music group Fobia celebrates its 20th anniversary with this double album that includes a CD with songs performed live at the "Auditorio Nacional" on December 2, 2005, the DVD features a live performance with new arrangements of classic songs, this disc is the documentary of his 20 years.
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Phobias: XX
2011
The Best Man
8/1
Malcolm is on the verge of marriage and he wants Duncan to be his Best Man, but what is Duncan hiding? In this tale of deception, three of Australia's up and coming talents explore the question: How well do we know our friends?
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The Best Man
2002
Humanitarian Aid
8/4
Three young men from western Europe are bringing humanitarian aid to a remote Transylvanian village. They’ll also be the recipients of a little humanitarian aid themselves.
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Humanitarian Aid
O Segredo De Coimbra
10/1
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O Segredo De Coimbra
1970
布隆菲尔德
5/6
一个上了年纪的足球运动员有一个兼职女友,一个年轻的球迷,并且对投球有疑虑。
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布隆菲尔德
2000
Bear with Me
5/7
An orphaned bear cub is adopted by little Emily and her family. They name the cub Masha, raise her and release her back into the wild. Three years go by, and Emily is lost deep in the forest. Cold, frightened and alone in the darkness, she falls and is knocked unconscious. When she awakens, Emily is amazed to see that a brown bear has kept her warm and dry all night by cuddling her. It's Masha – and Emily is overjoyed to be reunited with the bear just when she needs a friend most. Together the two bravely set off on an adventure to find their way home. Bear With Me is a tale the whole family will find as exciting as it is heart-warming . . . and the magnificent forests of the Pacific Northwest lend this story of loyalty, friendship and adventure a magic all its own.
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Bear with Me
2016
LALU
4/4
KIX’s first short film experiment, Lalu is a hyper-stylized Malaysian short thriller directed by Ion Furjanic. The word “Lalu” is used to refer to the passing of time or to pass through something. Synopsis: Three friends’ trip into the jungle is blurred by something they see far across a deserted lake.
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LALU
1990
The Spirit of TV
5/1
Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.
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The Spirit of TV
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