The boys head to Ireland after winning a contest to see Rush but are arrested by immigration and must perform a community service puppet show.

An alienated and misanthropic teenager gains sudden and unwanted celebrity status after he's taken hostage by terrorists where his indifference to their threats to kill him makes news headlines.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

1725年1月25日，彼得大帝即将驾崩，伴随着彼得大帝无力的手在遗嘱上写下了“把一切都交出去了”这几个不明白的字，阴谋家们开始策划宫廷政变。皇后叶卡捷琳娜的情夫-特级公爵孟什科夫·亚利山大·达尼雷奇凭着过人的胆识，在一小撮近卫军叛军的帮助下将代表着皇权的蓝色绶带从彼得大帝孙子-九岁的彼得二世身上夺走，挂到了曾在普鲁士人军队中当过洗衣妇的皇后叶婕琳娜丰满的胸前…… 伴随着近卫军的“前进！为了爱情和祖国！！”的减声中，叶卡婕宣誓作俄罗斯人民的忠实母亲和保卫者，成了叶卡婕琳娜一世。正是从这天起，俄罗斯开始了女人的统治，这统治整整持续了一百年……

An experimental short from Oskar Fischinger

Maria cannot stand her husbands jealousy any more. He treats her in a violent way, a proof of their relation is going through a crisis. A trip they were planning to take together aiming at the amelioration of their relationship, confronts them with sex, violence and a deadly secret. Giannis appears in Marias life and they soon become lovers. The boundaries between freedom and jealousy are hardly

Recently widowed and on the rebound, Allan instantly falls for Erica and the two quickly marry, but he soon learns she isn't that all she seems.

A man learns an unexpected lesson about the power of the written work in this dark independent comedy from Canada. Martyn (David Hewlett) is a young man who seems to be devoting his life to going to college; he's persuaded into stealing a rare and valuable book, but the burglary goes awry and Martyn is forced to kill a book dealer when he tries to hold on to the previous volume. Martyn now has to make a getaway, get rid of the body, and deliver the purloined letters, but there's a problem -- his car won't start. Martyn finds Theresa (Tanya Allen), a beautiful female auto mechanic, and persuades her to fix his vehicle. She agrees, but Martyn soon realizes that her boyfriend is the man he's just murdered. Theresa soon catches on that Martyn has stolen the book, and displays a greater interest in his ill-gotten literature than her boyfriend's death or repairing the car.

Bob James made his name in fusion and smooth jazz, but some of us believe the pianist’s acoustic trio records represent his highest art. His 1996 album Straight Up, with bassist Christian McBride and drummer Brian Blade, and 2004’s Take It from the Top, with bassist James Genus and drummer Billy Kilson, are career highlights and gems of their genre. Those records will never escape the shadow of 1978’s Touchdown or 1975’s One, but now James gives us the best of both worlds, revisiting his biggest hits in a trio format and tossing in other tunes. Despite its title, Feel Like Making LIVE! isn’t a concert recording. It was recorded “live in the studio” with old pal Kilson and young bassist Michael Palazzolo, who’s been in James’ bands for several years now. Rather than swing like a bop trio, they play classy, R&B- and pop-tinged jazz that’s both accessible and adventurous.

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

On May 30, 1990, Midnight Oil interrupted its North American tour for a “special guerrilla action” on the crowded Avenue of the Americas in midtown Manhattan. The agit prop event was a live concert from the back of a flat-bed truck that eventually drew more than 10,000 people at the high noon hour. The Australian band took this chance to make public its feelings on the planet’s crumbling environment

A young man Danesh learns of ancient relics, including a ruby that once a year can help find treasure in the Canyon of Scorpio. As the old man holding the knowledge passes away, Danesh receives the ruby and a map, setting out for an adventure full of mystery and danger, friend and foe, set under the dazzling southern sun.

Jim Vesser and his team of railroading men try to build a rail line through a mountain pass, while a group of less scrupulous construction workers sabotages the entire operation in the hopes that they can get their tracks laid first and get the money from the railroad.

The #1 shock cock! King of all adult media! Randy West portrays a thinly-veiled version of a certain outrageous radio show shock jock in this parody. The action starts when Rebecca Wild brings her hefty new boobs to the studio for an interview. Randy admires her prodigious up-top assets quite a bit, and shows her just that after the show in a scorching session. Randy’s next interview is with kung-fu filmmaker Cal Jammer, who he berates until he leaves in a huff. Not to worry, though, Cal goes home and is comforted by gal pal Courtney in another first-rate frolic.

Two childhood friends take a rifle into the mountains, and return with a secret.

A 30-sth. businessman gets stuck on a man-eating traffic island in the middle of a forest for an entire year.

Artist Eli Shamir paints the view from his studio balcony - fields stretching to the horizon, ancient oak trees, and a generation of farmers that is disappearing from the vistas of the Jezreel Valley. His large oils are treasured by collectors worldwide. It was director Ben Shani's encounter with one of Shamir's works that spawned the idea of documenting the artist at work. Neither of them had any idea that everything would change as the filming progressed, as an unforeseen danger threatened to rob Shamir of his talent. Filmed over the course of ten years, A lullaby for the Valley focuses on the fascinating figure of Eli Shamir and his paintings. As time passes, like the endless fields of the valley, they are transformed before our very eyes.