A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988

克里希纳(Krishna)的梵文原意是“黑天”，印度教崇拜的大神之一。他是天神毗湿奴(Vishnu)的第八个化身。他从小就以牧童的形象出现，善于助人，喜欢吹笛子，并技艺高超，平时用羽毛来装饰自己的头，而且经常和牧牛女嬉戏跳舞。他象征着爱与神圣的喜悦，全身皮肤均为蓝色，好莱坞科幻大片《阿凡达》中的人物形象就是以“黑天大神”克里希纳的原型塑造的。电影讲述了一个孩子经黑天宿主，在人间除恶助善的故事，该片是一部真人版3D动画儿童片。玖熹·查瓦拉近年来已经鲜有作品问世了，不是给这部片配配音，就是帮那部片串串场。这次玖熹·查瓦拉又选择参演了这么一部儿童片，不过她在片中的戏份还是比较吃重的。《我乃黑小天》的第一制片人Nandan Mohato，是玖熹·查瓦拉与赫里尼克·罗斯汉的私人助理，而第二制片人Pomilla Hunter是卡特莉娜·卡芙的御用发型师。显而易见，这三位大牌都是本着友情关系特别出演此片。

故事内容讲的是柯纳汗夫妇为了生活发生了一系列的变故，最后还是有情人终成眷属。

Ultra Music Festival 2015. In the middle of the pouring rain. Dash Berlin wrote history surprising the crowd with one of the most emotional, powerful and energetic sets the festival has ever seen and proved to be right at home at the big main stage.

卡然和基尚是多年的朋友,但他们却朝着完全不同的方向发展卡然是乡下的穷苦机修工,基尚是城里有钱的大老板卡然准备到异地工作,想赚更多钱,他希望基尚能照顾他的女儿,让她住在基尚家里基尚无法拒绝这个老朋友的要求,于是卡然的女儿——苏曼,住进了基尚的家里 基尚的儿子——普瑞姆,和苏曼建立了纯真的友谊.普瑞姆带苏曼参加朋友的聚会.却遭到了恶人的诽谤,并指控苏曼是想嫁给普瑞姆以谋取他家的财产.于是苏曼带着眼泪离开,并开始和普瑞姆保持距离而普瑞姆突然发现自己已经爱上了苏曼,在母亲和朋友的帮助下,普瑞姆赢得了苏曼的心可是后来,基尚听信了奸人的谗言,认为卡然故意将女儿安排在这,想谋夺他的财产他要将苏曼赶走,而卡然正好在这个时候回来了,当他看到老朋友这样污蔑自己后,伤心的带着女儿回到乡下普瑞姆不能忍受这种分离,公然反抗自己的父亲,并离开家,到乡下去找苏曼,希望能够和苏曼结婚,但却遭到了卡然的拒绝…..最终普瑞姆能不能和苏曼在一起呢? 故事又将如何发展 …

为纪念苏联卫国战争30周年，前苏联莫斯科电影制片厂于1970—1972年，拍摄了一部堪称前苏联电影史上耗资最巨、规模最大、场面最为壮观的战争题材影片———《解放》。影片从1943年苏联红军反攻（库尔斯克战役）开始，到强渡涅伯河，解放基辅，最后攻克柏林。分为五集，片长将近8个小时。导演尤里·奥泽洛夫为强调“纪实性”、“史诗性”，在影片中穿插了大量的真实历史文献镜头。影片还出现了不少历史人物，如斯大林、朱可夫、罗斯福、丘吉尔、希特勒、墨索里尼等。此外，影片还蕴涵丰富感人的故事情节，从苏、德两军统帅到普通士兵，从苏军反攻到德军覆没，成功地表现了一种攻无不克、战无不胜的革命乐观主义精神。 这是第三部。

Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

　26岁的拉霍尔的人生本沿着父母的旧路行进着，这一切都在他在维加斯失去了他建筑设计师的工作之后戛然而止。由于不想让人父母失望，他决定隐瞒事实，重新去找另一份工作。由于命运的一次捉弄，他遇到了瑞安娜。瑞安那是一个活泼的发型师，和他简直是两个世界的人。他们的友谊是否能够升华成为爱情？瑞安那的热情与勇敢是否能给予拉霍尔直面父母的勇气？一次酒醉后导致的婚姻会不会使得两人找到真正的自我？

姑且可称之为拿坡里的「两生草」：两个东尼，一个是歌星，一个是球星，一个走红时，另一个也在重要赛事一脚定江山，然意气风发之际，上帝之手却暗中安排逆转；终于当二人在潦倒日子相遇，无言相对，顿明白两个只能掂一个之天意弄人。一眼看尽的后《两生花》主线，初试啼声自编自导的苏伦天奴在没有细究星座八字的情况下，依章回却不依章法的拼砌，写出人生困惑与释放之间，敢问谁主浮沉的惘然。最终大抵认为生命是个游戏，看你用怎样的心情迎对而已。

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Barbara是一名电影制片人，她已在监狱的工作环境中呆了很多年了。她正在巴黎准备一部关于监狱长期徒刑犯人的电影。每周两次 Barbara 去监狱采访一个犯人小组，作为剧本的写作依据。Barbara遇到了犯人小组中的Michel，但是他们的爱情将会使她触犯法律......

my colllection

Two recap specials that focus on Team Urameshi's matches in the Dark Tournament and four separate volumes focusing around one of the main characters; Yusuke, Kurama, Hiei, or Kuwabara.

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.