Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

A young photographer's home is haunted by it's former residents.

In Russia, the attitude to death is paradoxically irrational – we all seem to live forever. Entrepreneur Sergey Yakushin is the only reasonable "madman" who conducted a funeral "revolution" in his native Novosibirsk. Yakushin himself turned around to face death after being diagnosed with late-stage cancer 15 years ago. And they gave me a year of life.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

城市一隅，颓废破败。顽皮孩子乔纳（Max McIlmunn 饰）看到哭泣的爱丽丝（Vicki Masson 饰），心生恐惧，躲进了被人丢弃的大冰箱里。乔纳的两个朋友欺负流浪汉查理（Laurie Ventry 饰），被爱丽丝的男友鲁迪（Gary Lewis 加里•刘易斯 饰）训斥。其中一个孩子恶作剧，盖上了冰箱门。鲁迪试图放出乔纳，但冰箱门卡住无法打开。 冰箱内的氧气将尽，乔纳渐渐失去意识，鲁迪和爱丽丝想尽一切办法，气急败坏的鲁迪愤然离去，只有爱丽丝守护者命运未卜的男孩。楼群里所有的人都在注视，所有的人又都无视……

Moscowin Kavery (English: Moscow's Kaveri ) is a 2010 Tamil romantic drama film written and directed by cinematographer Ravi Varman, making his directorial debut, besides handling the cinematography. The film, which has lyrics written by Vairamuthu and music scored by Thaman, stars Rahul Ravindran and Samantha in the lead roles with Harshvardhan, Santhanam and Seeman essaying supporting roles. Releasing on 27 August 2010, after nearly three years of production, the film was ultimately panned by critics.

A road trip takes many unexpected turns.

"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.

A lounge singer sees his career skyrocket after he signs a contract for a mobster nightclub owner.

From her window, Siri Pårup can see the building opposite where the everyday heroes and heroines of this persistently intriguing film reside. The Swedish filmmaker has reconstructed some of these flats in a studio, using effects to make them blend in with the building’s real façade, in a brilliant and playful variation on everyday voyeurism.

A lawyer passionately pleads for his criminal client.

Joseph Kuo's final film.

Mexican feature film

Facts is a dramatization of a massacre in a Lithuanian village during World War II when Nazis rounded up over 100 men, women, and children accused of partisan activity and then torched the houses in which they were held. Using Russian interrogations of a few survivors, the testimony of villagers, and some of the Germans responsible for the killing, the film gradually reconstructs the event and its context.

In a dark and dingy laboratory, sometime in the not too distant future, a scientist toils away attempting to create life.