Horror - When college students Brooke and A.J. set out to make a documentary on six missing kids, rumored to be the victims of a deadly curse, they have no idea of the danger they're walking into. While digging for answers, Brooke and A.J. stir the emotions of the mysterious locals and uncover a world of dark secrets and unspeakable evil.

七月十五，鬼门大开，孤魂野鬼游荡人间。茅山道长九叔（林正英 饰）精心准备鬼月所需祭品，而顽皮的二徒弟文才却跑去看鬼戏。文才懵懂，不只身旁已聚满群鬼，更有貌美如画的女鬼小丽（吴家丽 饰）将其相中。九叔命大徒弟秋生（钱小豪 饰）前去营救，秋生则为小丽美色所惑。最终师徒惊动群鬼，使得它们逃脱鬼差管制，徘徊人世。 为避免群鬼危害世人，九叔请来师兄弟共同商议对策。大师兄提出先天八卦阵，而由文才和秋生两个惹祸头负责将群鬼吸引出来……

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

Nostalgic comedy about medical students circa 1905.

Traveling cowboy gets involved in political issues in a town he passes through. Also a romance.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Blood, Sweat and Tears is a story about the life of Andre Hazes, a Dutch popular singer. It shows three crucial phases in the life of Hazes: his youth (in the 1960s), his breakthrough (1980s) and the last year of his life (early 2000s).

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

A psychopath kills members of a video dating club and records their deaths.

Romantic triangle on the hacienda.

A man goes to see his former schoolmate working at a boiler house and persuades him to burn in the furnace the corpse of his communal flat neighbor whom he has just murdered after a quarrel. An orphaned girl gets a job in the archives of the maternity home to find out the identity of her mother who abandoned her years earlier. She finds her, befriends her and takes the first opportunity to throw her into the sea. An old intellectual tries to explain to the neighbor’s five-year-old daughter “all the abomination of her lumpen existence”. The girl feeling hurt for her mother decides to poison the old man with arsenic.

A film producer on the verge of ruin decides to make an erotic film.

Reg owns the store "Tem Tudo... E Muito Mais" (Has Everything... And Much More). To satisfy his customers, he is forced to perform the most strange functions.

克里希纳(Krishna)的梵文原意是“黑天”，印度教崇拜的大神之一。他是天神毗湿奴(Vishnu)的第八个化身。他从小就以牧童的形象出现，善于助人，喜欢吹笛子，并技艺高超，平时用羽毛来装饰自己的头，而且经常和牧牛女嬉戏跳舞。他象征着爱与神圣的喜悦，全身皮肤均为蓝色，好莱坞科幻大片《阿凡达》中的人物形象就是以“黑天大神”克里希纳的原型塑造的。电影讲述了一个孩子经黑天宿主，在人间除恶助善的故事，该片是一部真人版3D动画儿童片。玖熹·查瓦拉近年来已经鲜有作品问世了，不是给这部片配配音，就是帮那部片串串场。这次玖熹·查瓦拉又选择参演了这么一部儿童片，不过她在片中的戏份还是比较吃重的。《我乃黑小天》的第一制片人Nandan Mohato，是玖熹·查瓦拉与赫里尼克·罗斯汉的私人助理，而第二制片人Pomilla Hunter是卡特莉娜·卡芙的御用发型师。显而易见，这三位大牌都是本着友情关系特别出演此片。

Spyro Gyra - Live At The North Sea Jazz Festival

Emir is sleeping at his girlfriend Seren's house. Seren wakes Emir up and tells him that she is going to the hairdresser. Emir does not want to be alone because he was kidnapped in the past. He tries to convince Seren to stay with him, but he fails. Shortly after Seren leaves the house, Seren's neighbor Eren appears at the door. Emir remembers the voice of Eren. Eren is the person who kidnapped Emir in the past. Emir waits for Seren in fear. Seren comes back after a while. But Eren never acts suspicious. Seren tells Emir that he was not kidnapped, that they were all in his head, that he had suspected others before, and that they could no longer see them. The reason they couldn't see them is that Emir himself kidnaps the people he thinks kidnapped him. And his last victim is his neighbor Eren.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

Human bodies appear incomplete, divided and fractured by water and fabrics as a way to address the cementing, impoundment, and fragmenting of local streams and rivers. The body parts search for each other in an attempt to reconstitute as a collective body. Towards the end of the film a complete human body is revealed, suggesting that if we dismantle infrastructure that divides and splinter bodies of water, riparian ecosystems might stand a chance to become whole again. Filmed on location in the San Gabriel River and the Wanaawna (Santa Ana) river mouth, this inaugural and site specific activation of the Water Portraits series is the first step towards building a healing relationship with the land and the waters of the unceded Tongva and Acjachemen territories, known by many as Orange County. We are grateful to our human and natural indigenous hosts who have sustained us, despite being submitted to violent processes of colonization and extraction.

A young psychic experiences a horrifying vision during her walk home.