突尼斯南部的沙漠中，痴迷足球的两个小兄弟撞上一头在与阿尔及利亚接壤的边境线上徘徊的驴，有趣的是，驴的耳朵上戴着一个正在播放音乐的耳机……

这部纪录片讲述了克莱伦斯·埃文特的人：无论在音乐、电影、电视还是政坛，他都是直言不讳的终极导师和幕后的造雨人。

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

The California Atoms are in last place with no hope of moving up. But by switching the mule from team mascot to team member, (He can kick 100 yard field goals!) they start winning, and move up in the rankings, Hurrah! The competition isn't so happy.

On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.

An emotional dive into the music and life of Erasmo Carlos, from his years as a young rock-and-roller looking for gigs through his enduring musical partnership with Roberto Carlos.

The film accompanies the investigation of the historian Sidney Aguilar after the discovery of bricks marked with Nazi swastikas in the interior of São Paulo. They then discover a horrifying fact that during the 1930s, fifty black and mullato boys were taken from an orphanage in Rio de Janeiro to the farm where the bricks were found. There they were identified by numbers and were submitted to slave labour by a family that was part of the political and economic elite of the country and who did not hide their Nazi sympathizing ideals.

Caio and Mari are two young people living in a relationship that goes beyond any definition. Over ten years, the plot transits between three striking moments where their desires conflict and their relationship is put to the test. The film, originated from the short film of the same name in 2006, proposes a reflection on sexuality, labels and how time constructs and transforms relationships.

为了躲避目前对医院的空袭和造成许多受害者死亡的化学武器攻击，叙利亚的一些医务人员被迫建立隐藏的地下医院，以挽救病人的生命，避免医务人员和设备的损失。大马士革的Alghouta发生了几起化学武器袭击事件，那里的工作人员建立了一个地下避难所，名为“洞穴”。Amani博士和她的同事Alaa博士、护士Samaher以及其他18名妇女被选为医院的常务董事，医院共有80名员工。他们每天都面临死亡，因为他们试图拯救他们城镇的人民的生命，并隔离和加强医院以防止进一步的攻击。

Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?

VS. is an urban rites of passage drama set in the hostile and exciting UK rap battle scene.

An ex-military accountant is recruited by the FBI to infiltrate the mob in Chicago in an attempt to break open the rackets. To complicate his job, two women stand in his way, each with their own agenda.

Maria, a virgin spinster, is trying magical superstitions to find a husband. In her dialogue with the marriage saint, she implores for a companion. Her father offered her as a bride to Saint Djalminha, if the saint saved her during her complicated birth which ended in the death of her mother. Since then Maria has lived this dilemma: revered and loved by the residents and pilgrims that believe she is a miracle worker; she is desperate to live a great love, with a flesh and blood prospect with real passionate desire. She asks for a sign from the heavens, a clue on how to find a crumb of love when a gypsy arrives on scene saying "someone who loves her very much, but she doesn't know will come from afar on an artists' caravan." Maria can't take the solitude she is living anymore and decides "to find Mr. Right," no matter how much it may cost.

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.

In 1932, more than two hundred thousand men armed with machine guns, grenades and canons took part in on of the most violent wars in America in the 20th century. Brazilian against Brazilian, in a conflict that involved air raid of big cities – such as Campinas, Santos and São Paulo - and resulted in more than two thousand deaths. Why did this war happen? Who took part in it? What were the details of the conflict? How did the war end? The documentary tells this episode of the country's history, not only grand but also unknown, with an accessible language and an involving rhythm.

"Empty Days" tells the story of a day in the life of Jean and Fabiana, a couple of young boyfriends who try to reinvent their lives in a small town in the Brazilian interior. They are in their senior year of high school and live the old dilemma: either we leave this city or we stay here and continue the history of our parents. At the end of this day Jean commits suicide and Fabiana disappears. Two years later, Daniel and Alanis, another couple of young boyfriends, try to understand how everything happened.

第92届奥斯卡最佳纪录长片。 2014年，中国福耀玻璃集团在美国俄亥俄州代顿市建立工厂，生产汽车玻璃。代顿曾是通用汽车厂区，因汽车建造业兴旺发达，但彼时已十分衰败。福耀的到来被设想成能促进当地复苏和就业，却也引发了很多冲突。福耀为改善此状况做出了不小的努力。 该片称“将深入此事，回顾每个关键瞬间，观察来自不同国家的工人的文化冲突。……揭露中美工人如何看待自身在权力体系中的位置，这是未来的美国劳动力和中国经济主导力的碰撞”。

这是一部揭露贪婪与欺骗的叙事电影，讲述了一桩与高档葡萄酒诈骗有关的惊天奇案，设局者从投资人手中骗取了数百万美元。

瑞典的数百名难民儿童面临被驱逐出境的危险，他们饱受放弃求生综合征的折磨，开始逃避现实并陷入一种昏迷般的状态，仿佛被冻结了数月甚至数年。《放弃求生》让观众了解这些患儿父母的痛苦，以及他们如何努力照顾生病的孩子。