波妮和克里都是在校学生，但由于缺乏家庭关心和亲情。无心向学，过早涉足社会，沾上了许多不良习惯。最终走上了死亡的路上。这部片是一部当代年青人的写照。

A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.

A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.

8mm work directed by Norihiko Morinaga.

Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.

北宋，西门庆自从娶了明月之后，不能满足自己的性欲，便在外头寻欢问柳，他看中了民妇潘金莲，用计谋毒死了武大郎，娶了潘金莲，但是他还不满足，又看中了了花子虚的妻子李瓶儿，他又用计谋害死花子虚，娶了李瓶儿，武大郎的弟弟武松回来之后，誓言为哥哥武大郎报仇雪恨，但是被西门庆用计谋使用婢女春梅作为假证，控诉武松强奸，结果武松被充军，而春梅也荣升为妾。由于西门庆过度性交，导致身体转衰，最终被自己的妻妾杀害。

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

电影改编自2012年西班牙的真实驱魔案例，描述一名少女跟朋友擅自举行降神会，结果意外遭到恶魔附身，她的家人们只好找驱魔人来处理。

当被遗忘的渔镇出现一个提升财富的绝佳机会时，渔镇的居民们开始用计谋的方式推动它的实现。

七年前，扎伊德与哥本哈根黑社会开战，为死去的兄弟报仇。他作为一名受人尊敬的心脏病医生和居家男人的身份只是一个逐渐消失的梦想，在监狱里，扎伊德失去了他几乎不认识的儿子诺亚。当一名警察探员向他提供了一份释放协议，以换取他渗透哥本哈根黑社会时，扎伊德看到了自己有机会夺回他留下的家庭生活的残余。但一切都有代价，扎伊德意识到他现在已经严重危及儿子的生命。毕竟，一旦成为黑社会的一部分，还有什么出路吗？

剧情紧接着《银河护卫队》第一集。小树人格鲁特从花盆里迈出了第一步，结果发现要想学会跑，必须先学会走路。

A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.

　　摩根·弗里曼、鲁比·罗丝将主演动作惊悚片[征服](Vanquish，暂译)。乔治·加洛([中间人])执导，加洛与Samuel Bartlett共同操刀剧本。弗里曼饰演一位退休的警察局长，他通过绑架他的看护人(罗丝)的女儿来勒索她，迫使她帮助他，欺骗他腐败的警察团队，企图清理整座城市。该片已在密西西比州比洛克西开拍。

某天小海豚雪球又偷溜进深海禁区玩耍，他意外捡到了“一只”人类小北鼻，海豚妈妈将男孩视如己出，小男孩就成了雪球最亲爱的弟弟。 他们一起冒险、一起闯祸，整个海底世界都是他们的游乐场。 有一天，章鱼受到化学废弃物的污染，变成巨大又邪恶的坏蛋，坏章鱼不仅重重伤了海豚妈妈，还控制了其他海底生物，海豚男孩不得已离开海洋回到陆地。 上岸后的男孩开始重新学习「人类」的生活，并踏上寻找亲生妈妈的旅程，一路上在新朋友穆瓦利船长和「哥哥」雪球陪伴下，他能否解开身世之谜，并 找到拯救海洋世界的解药？

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

影片《A》开拍于1995年，在东京地铁发生举世震惊的“沙林事件”6个月之后。这部试图从内部对奥姆真理教进行观察的纪录影片其整个制作过程耗时两年三个月。和一些先入为主的见解相左，影片的作者并不急于得出直截了当的结论；也不同于许多新闻报道中所提供的正反两极化呈现——这种方式往往将对立的“他们”（年轻的奥姆教皈依者）和“我们”（警察、媒体、你我自己）描述得犹如一枚硬币的正反两面；在森达也的镜头前，神圣和卑劣、公正和虚伪这样一些截然对立的概念跨越了界限分明的鸿沟而交汇在了一起。该片的目的不是为了一味地去曝露那些异教徒的阴暗，而是从一种相对的视角来反观我们自身存在的暴唳和缺陷，你的，和我的，从而进一步找到人性中黑暗的根源。