Fon has been harboring a secret love for her best friend for as long as she can remember. Fearful of jeopardizing their friendship, she chooses to keep her feelings hidden. However, seeing her best friend and her boyfriend's intimate moments makes her feel very uncomfortable. How long will she be able to hide her feelings? Will Fon be able to turn her friendship into love?

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

Deciding whether to have a child is an emotionally fraught and deeply personal process. Deciding amid increasingly dire warnings about the climate makes it even more paralyzing. The Climate Baby Dilemma is a documentary charting the growing number of young people either refusing to bring a child into an increasingly unstable world or struggling with the ethics of whether they should or not. As the conversation about intimacy and climate change heats up, we meet activists, journalists, parents and prospective parents, ethicists and scientists to unpack this growing trend.

A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?

A former FBI agent must stop a crazy man from blowing up bombs.

Barry and Susan O'Brien are a young married couple who have just inherited a house. They love their beautiful new home, and decide to throw a party. The party is partly to show off their new digs and partly because Barry, an actor, wants to butter up the producer of a soap opera in hopes that his character won't be killed off. But the O'Briens soon discover that they have to worry about death in the real world too, because a flock of demons is hiding out in one of the closets, waiting to be released.

Maiko is a recently widowed young woman travelling to Bali to distract herself from the loss of her husband, Esau. At the airport she meets Kioko, who gives her a dagger and a photo of a woman. She tells Maiko she must find the woman, Shireni, in Bali and convince her to return to Japan, or she must use the dagger to kill her. Soon after her arrival in Bali she meets Shireni and is invited to stay with her. Quickly Maiko finds herself trapped on Shirini's island paradise, by her own confusion and her developing love for Shireni. She discovers Shireni to be immortal, a former spirit medium whose only goal is to find pleasure, body and soul.

　　欧阳震华的另一部激情戏作品《二奶村之杀夫》（又名《路边的野花不要采》）用了大部份的时间来铺陈剧情，真正意义上的激情戏集中于一场，由欧阳震华与饰演他情妇的女演员共同完成，该场戏女演员有较为大胆的裸露，但欧阳震华并不是一个“以色夺人”的演员，所以他没有选择直白的裸露，而是以眼神及动作去演出那种激情的感觉。欧阳震华在此片中的角色也与他日后的招牌戏路背道而驰，演的是一个在老婆与情人间一脚踏两船最后被精神崩溃的妻子所杀的“烂仔”角色。

剧情简介：即将离婚的自由摄影师鸭田与理惠子夫妇，连同鸭田的砲友—模特儿理香和理惠子的新男友四人，遭到震惊社会的强暴杀人犯“现代开膛手杰克”囚禁在鸭田的工作室。在“杰克”精心安排的的性爱凌辱地狱中，四人的道德与理智逐渐崩坏……。

Film reportage of a kinetic, abstract work by Richard Mortensen.

In this film several objects make paintings on an empty canvas, which all turn into photos and films.

An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

An investigation into the truth behind the murder of Guatemalan Bishop, Juan Gerardi, who was killed in 1998 just days after trying to hold the country's military accountable for the atrocities committed during its civil war.

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.

　　17岁的“曙光女神”佩特拉探望她在慕尼黑唯一朋友曼弗雷德的家。在她到达的当天晚上，涉世不深的懵懂女孩就看到了这个巴伐利亚大都市的女人是怎样“刻苦”学习轻佻的“夜生活”