This film is based on a long-term study of the dreams of chimney sweepers. The most frequently encountered images have been selected from the abundant material available and the script was created on the basis of those images. Statistics support the claim that this film presents one of the dreams that chimney sweepers encounter most frequently.

Summertime at the beach. Swimming, yelling, playing, tanning. 25-year-old Marie who came alone to lie in the sun and swim in the sea, loses the bottom half of her bathing suit.

When two tough guys leave a bar to fight, their search for the right spot becomes an adventure.

像流浪猫一样的少女，幸野（浅野敦子饰）。五郎（古屋雅人饰）是一个偶然捡到她的年轻人。还有一个驾驶白色野马的中年男子（山崎勤饰）。以这三个人为轴心，各种情节像小品一样罗列。原本计划是首次由浅野敦子主演的成年剧，但藤田的关注点转向了中年男子，而不是两个年轻人。于是，那些还无法放下青春的人的挫败感和空虚感，在一部独一无二的作品中完成。

Apathy, technology, paranoia, disease and medication. Meet Arin. Arin is a shy videographer who finds it too much to handle to go out and meet girls, so he sets up an account on meester.net. The flood of responses never comes, save for one email from Susan, a struggling artist who finds her job as a waitress stifling her creativity. Susan is also on the shy side and is seeking an alternative to the classic dating situation. When Arin and Susan finally meet, that alternative dating situation comes to life as the two refuse to communicate verbally with each other, wanting to avoid bs small talk.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Five short stories.

Pointing to the proverb "One man pretends to be rich, yet has nothing," this Bollywood romantic drama criticizes the priorities of a rich man when he marries his sweetheart and neglects her for his lucrative business affairs. When she runs home to her family, the rich man's father berates him for being too much like his old man. Will he learn his lesson and win her back? A repenting ballad or two may help.

Wealthy, world-wide business-man Shyam Prasad Bharadwaj would like to get his only daughter, Rittu marry to his business-partner Dev Kumar Malhotra. But what Shyam is unaware of is Dev is not what he claims to be but merely a con-man who is in debt with local gangsters and to worsen matters he plans to do away with the entire Bharadwaj family so that he can embezzle their property and estate.

伊斯坦布尔的一位假发制造者患了癌症，一天，一个女人走进他的店里，他对她着迷。

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

　20岁的彼得即将离开他服役的海军，他去了一个童年暑假去过的小岛。他晚到在一个看起来被抛弃的地方，除了他有怪癖的婶婶和她长相难看的管家似乎看不到别的女人。然而并不象看起来那么简单……

A small town's religious beliefs have pushed them back to the dark ages. Halloween has morphed into a modern-day witch hunt, victims sold like fireworks for the public to dispose of. Prepare for Exodus.

Akin to Private Benjamin, this comedy deals with the tough life of female army recruits going through basic training. Through their training they come to realize that there is more to being tough than having muscles.

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."

Agron and Marjeta are happily engaged until in a trial presided by Agron, two people accused of theft reveal facts that implicate Marjeta's father. Agron is torn between love and duty.