A confirmed bachelor, over his sixties, is finally decided to marry, with the primary objective of having a son to inherit his business of coaches for tourists. Held the wedding, descendants don't arrive, but what comes into the house of the protagonist is an 18-year-old daughter of a distant childhood sweetheart willing to impose other points of view about everything.

This poignant human drama is phrased as a "small sonata" in three movements -- a novel approach by director and writer Micheline Lactôt to tell the story of two teenage girls. In the first movement, Chantal (Pascale Bussieres) rides the same bus every day and slowly develops an infatuation with the bus driver. Their interactions are expressed through gestures and glances and facial expressions, but not words. Just as Chantal is getting old enough, and maybe courageous enough to actually say something to the driver, fate steps in and she loses her chance. In the second movement, Louisette (Marcia Pilote) hides out on a fishing boat and is discovered by a Bulgarian fisherman who treats her with kindness and consideration and they spend a special evening together -- without being able to speak a word in the other's language. In the third movement, Chantal and Louisette become friends, and as kindred spirits they share a sense of loss and hopelessness.

An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.

Inside the idyllic community of Smallville, the intertwined destinies of Clark Kent, Lana Lang, and Lex Luthor begin to take shape while an imminent danger emerges: a high-school prank has spawned a vengeful villain who has acquired super powers of his own. (This standalone version of the series pilot combines footage with the second episode, newly formatted in 1.78 widescreen, and has an alternate closing produced for the Canadian DVD market.)

Upcoming hindi movie.

In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."

Don’t disturb the man in the cradle...

India's capital Delhi is the center-point of this story, depicted as a degenerate and corrupt city with Members of Parliament with big criminal rap sheets, ruling the roost, transferring or killing honest police officers, promotion their own corrupt cops, openly collecting weekly bribes (haftas) from local businesses, pimps, prostitutes ET AL, even openly holding an auction for bidders to bid for areas for black-marketing purposes. Lala Khurana is the uncrowned king of Delhi and he runs it with the help of a Member of Parliament, & the Director General of Police. His advocate Chintamani Chaubey wants him to contest the next elections, ensuring his win, and making his own laws, appointing his own police officers, who will do his bidding, carrying on without any checks and balance. Khurana likes this idea, but feels he is getting too old, but would like his son, Devendra Kumar, to run and be the next State Chief Minister.

Palden Gyatso, a Buddhist monk since childhood, was arrested by the Chinese Communist Army in 1959. He spent the next 33 years in prison for the "crimes" of peaceful demonstration and refusal to denounce his apolitical teacher as an Indian spy. He was tortured, starved and sentenced to hard labor. He watched his nation and culture destroyed, his teachers, friends and family displaced, jailed or killed under Chinese occupation. Fire Under the Snow reaches back to Palden's birth in 1933 and follows him through the Orwellian nightmare that began with the Chinese invasion. We cut back and forth between the past and Palden's present as an activist, living in exile. Our P.O.V. becomes a "third eye" hovering over Palden’s current life, haunted by his memories of the past. We explore the escalating cycle of interrogation and physical violation during his years in prison that ended decades later with Palden's escape from Tibet and a cathartic meeting with His Holiness the Dalai Lama.

　　《Ghiblies episode2》（ギブリーズ episode2）为日本吉卜力工作室制作的动画短片《Ghiblies》的续作， 在日本于2002年和吉卜力电影动画《猫的报恩》一同在剧院上映。 作品内容风格与前作《Ghiblies》相同，同样以角色野中君为主角，描述他在Ghibli工作室里遭遇的各种趣事。故事大体可分4段，均围绕野中君展开，1是吃咖喱，2是跳舞，3是地铁，4是初恋。

Mexican feature film

Deciding whether to have a child is an emotionally fraught and deeply personal process. Deciding amid increasingly dire warnings about the climate makes it even more paralyzing. The Climate Baby Dilemma is a documentary charting the growing number of young people either refusing to bring a child into an increasingly unstable world or struggling with the ethics of whether they should or not. As the conversation about intimacy and climate change heats up, we meet activists, journalists, parents and prospective parents, ethicists and scientists to unpack this growing trend.

A cop Angel Almaraz saves the life of a local crime boss who, in return, offers him a job as part of his security. Almaraz accepts but soon has doubts.

Eric Buford (Eric Streit) was willing to do just about anything to break out of his small Southern town. When Andrea Patterson (Andrea Griffin) arrives to oversee the opening of a huge corporate mega store, Eric thinks that he finally has a ticket out of "Small town USA". Eric's plans change when he discovers Food Demon's plot to destroy all of the Mom & Pop businesses on Main Street, including his grandparents' grocery store. Before Eric knows it, he is thrust in the middle of angry mobs, shady land deals and greedy businessmen that consider murder to be all in a days work. After his grandpa is slain before his eyes, Eric joins forces with his fellow Main Street merchants in a quest to save their town. Their mission: Run corporate America out of town on a rail..and live to tell about it.

A documentary about F.W. Murnau.