A young couples romantic beach date turns dark when they encounter a mysterious seaside stranger. Could the last day of summer be their last day ever?

The story of the insane scandals related to the remake of “Island of Dr. Moreau” —originally a novel by H. G. Wells—, which was brought to the big screen in 1996. How director Richard Stanley spent four years developing the project just to find an abrupt end to his work while leading actor Marlon Brando pulled the strings in the shadows. Now for the first time, the living key players recount what really happened and why it all went so spectacularly wrong.

罗德里格斯在上世纪70年代发行过两张专辑《Cold Fact》与《Coming From Reality》，在南非有超过50万的销量且知名度可与滚石乐队相提并论。但与其他知名的美国歌手不同，南非的歌迷得不到任何一点关于罗德里格斯的信息，除了专辑歌曲之外唯一能了解的只有专 辑封面上一张并不清晰的相片。两张专辑后，他好像也就此销声匿迹。对于在南非的辉煌成绩，罗德里格斯其实并不知情，他在美国过着截然不同的生活，没有知名度，专辑销量不佳，被唱片公司抛弃，曾经一度做着装修屋顶的体力活。南非开普敦一家唱片店老板斯蒂芬与音乐记者克雷格听到罗德里格斯在舞台上奇特自杀的传闻后展开调查，寻找小糖人之路就此开始，一段神秘的传奇故事就此展开。

A portrait of the famous French actress Fanny Ardant, who has worked with great figures of cinema such as Agnès Varda, Alain Resnais, Michelangelo Antonioni, Sydney Pollack and, above all, François Truffaut (1932-84), with whom she had a sentimental relationship and whose death marked the rest of her life.

睽违影坛23年之后,尤杜洛斯基将压箱底的奇诡珍宝一次放大绝,以自己的人生作为蓝本,让亲儿子成为生命的化身,从童年阴影到成长追寻,所有情慾歌舞信仰仪式,全都化为华丽繁複的视觉元素,展演出一场又一场荒诞幽默、诡魅不安的心灵探索,宛如Cult版《八又二分之一》,比《圣山》更光怪陆离、比《鼹鼠》更直探灵魂。这是一部实验传记电影,绝非虚构,因为所有的角色、场景、事件都是真实的,但却也在尤杜洛斯基的生活导引叙事中,逼迫我们拓展想像力、逼近极限,攫取掌握所有转型衍化的可能性。

《女仆》是智利年轻导演赛巴斯丁·西瓦的第二部长片电影。 　　故事的主人公是位服务了主人家23年的女佣人。智利女仆拉奎尔（卡特琳娜·萨维德拉 Catalina Saavedra 饰）是智利传统中上阶层家庭的佣人。她一个人照顾这一大家子，每天闹钟响起，开始忙碌的一天，作饭、洗衣、打扫，照顾三个被她宠坏的小男孩，及两个与她作对的大女孩。她在这个家庭服务了23年，深知家中每个人的秘密，犹如这个家庭里的成员，连主人都要敬她三分。女主人体恤拉奎尔的辛劳，决定帮她找个助手。然而工作是拉奎尔生活的全部，这个领域根本容不得他人越雷池一步，她尽心机、耍尽手段，想尽办法搞走新来的女仆。直到善良单纯的新女仆露西的带来，让拉奎尔自我禁锢已久的心灵也开启了一扇门。

在Bad Brains、性感公世或者Ramones之前，有Death乐队。Death乐队是由三个来自底特律的十几岁的兄弟组成的，他们被认为是第一个黑人朋克乐队，Hackney兄弟，David、Bobby和Dannis，现在被认为是他们领域的先驱。但直到最近，当一盒尘封的1974年演示磁带在Death鼎盛时期近30年后从Bobby的阁楼传出时，甚至只有一小群朋克乐迷才听说过他们。

As she does every morning, Lucie takes advantage of her journey to work to lose herself for a while in the pages of a good book. And as she does every morning, she joins her colleagues at the office with a smile. It's a working day just like any other. Then suddenly all activity in the office stops. All attention is turned towards the window of the opposite building opposite and abanner reading: Man Alone. Is it a hoax? A cry for help? Everyone has his own interpretation, and will try, by any means possible, to discover what lies behind this mysterious message.

年轻夫妇汤米（Aneurin Barnard 饰）和乔安娜（Amy Shiels 饰）住在一幢老旧公寓内，新生命即将诞生，夫妇俩沉浸在微笑而甜蜜的幸福之中。谁知他们的生活很快遭到破坏，汤米眼睁睁看着妻子在走廊内遭到三个街头混混的袭击，虽然孩子保住性命，但乔安娜陷入昏迷中直至永不苏醒。身心受到巨大创伤的汤米奔忙在家和医院的两端，在独自抚养小宝宝艾尔莎的同时，还要努力克服悲剧所带给他的莫大恐惧。混乱之中，仿佛有满怀恶意的小人逼近汤米父子，似乎威胁着艾尔莎的性命。是幻想？抑或真实？汤米有着不得不去翻越和征服的高山……

在本部纪录片中，马丁·斯克西斯以文森特·明尼里的《玉女奇遇》开场，向我们抛掷导演与制片人之间永恒的矛盾，进而引出影片的第一部分《导演的两难境地》；《导演是讲故事者》分别介绍了美国三大类型片：西部片、警匪片和歌舞片；《导演是魔术师》则介绍电影的视觉手法和特效等；《导演像走私犯》里介绍他所喜爱的几位导演和其作品；《导演应打破旧习》更是谈及多位举足轻重的知名导演。马丁·斯克西斯通过对老电影片段的剪辑和对人物的访谈，面对镜头侃侃而谈，就像开篇所说：“电影就是疾病，就像吸毒一样。解决之道，就是拍更多的电影”。 　　在将近四个小时的光影中，马丁·斯克西斯以其独特的风格，向我们介绍了六十年代的美国电影，尤其是他所钟爱的影片以及导演，带领我们一起走进他的美国电影之旅。

香港旺角的西洋菜街，商铺林立，游人络绎不绝。哈公（曾志伟 饰）和石坚（张学友 饰）的手机店隔街相望，两家为抢生意各出奇招，互不相让。其实二人多年前本为好友，当年二人智斗包租婆的故事至今仍传为佳话，结果最后却为争小桃红（袁咏仪 饰）反目成仇。如今，已为哈嫂的小桃红和哈公相亲相爱，但在心底对曾经的好朋友石坚也仍关爱有加。两家的儿女们私下也有所往来，并逐渐互生好感。大业主租金要翻三倍，商户们为此伤透脑筋。频频有神秘人从高处扔硫酸水，生活在小街的人们陷入恐慌。为了维护生存的权益，为了还西洋菜街以安宁，商户们决定团结一致，共同捍为自己的家园……　　本片由邵氏和TVB合作拍摄，因集结两岸三地的100多位明星参演，所以有港版《建国大业》之称。

2000年，秘鲁总统藤森宣布辞职，他的极权统治也从此结束。然而，因连年的恐怖袭击和高压统治，底层百姓的身心已经承受无数创伤。 　　秘鲁境内某偏远山区，少女法斯塔（Magaly Solier 饰）的母亲年轻时曾遭到恐怖分子的强暴，继而感染一种名为“伤心的奶水”的怪病。病入膏肓之际，母亲独独担心因哺乳而可能受到传染的法斯塔。 　　母亲去世，法斯塔远离家乡和悲伤，来到小镇上一个女钢琴家的别墅打工。她似乎对周遭一切都不关心，只一心关注自己随时可能失去的生命，和前景模糊的未来…… 　　本片荣获2009年柏林国际电影节金熊奖及国际影评人费比西奖、2009年瓜达拉哈拉墨西哥电影节最佳影片和最佳女主角（Magaly Solier）奖。

A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.

渴望有朝一日成为万人瞩目明星的大学生海媛（郑恩彩 饰），她的妈妈即将移民加拿大。母子最后的相处时光，充满喜悦和感伤。平淡而短暂的几个小时后，海媛孑然一身。心情低落的她找来了断断续续交往一年的恋人李成俊（李善均 饰），同时也是海媛所在电影学校的教授兼导演。对于已经成家的李导演，他们的交往从一开始就注定只能藏在黑暗里，永远上不了台面，无论那个男人曾说出怎样刻骨铭心的甜言蜜语。学校里风言风语，女学生与教授的不伦之恋传言甚嚣尘上，他们之间也难免出现矛盾，争吵过后干脆避而不见。 她该如何面对？如何抉择？如何放弃？

Filmed over a decade, Brief Encounters follows internationally renowned photographer Gregory Crewdson's quest to create his unique, surreal, and incredibly elaborate portraits of suburban life. He sets a house on fire, builds 90 foot sets with crews of sixty, shuts down city streets...all in the service of his haunted image of American life, and his own anxieties, dreams and inner desires. Brief Encounters is an intimate portrait of one of the most heralded image-makers of our time.

My Best Friend is the outrageous story of two men, friends since childhood, who have spent their lives tormenting one another. It is only when Constantinos discovers Alekos in bed with his wife that their friendship and their respective marriages finally collapse into a death spiral of sex, deceit and irrepressible humor. As events unfold another deception, one concealed by both men's wives, opens the door to incredible erotic intrigue.

A sewage worker gets trapped inside a septic tank during a water contamination crisis and undergoes a hideous transformation. To escape, he must team up with a docile Giant and confront the murdering madman known as Lord Auch.

In Kino Klassika’s first film commission, British filmmaker Mark Cousins imagines a conversation between D.H.Lawrence and Sergei Eisenstein. This playful film essay carries forward Mark’s film dialogue with Eisenstein from his feature film about Eisenstein in Mexico ‘What is this film called Love?’

Never before seen Super 8 home movies filmed by Richard Nixon's closest aides - and convicted Watergate conspirators - offer a surprising and intimate new look into his Presidency.

A cat learns the art of ventriloquism in order to play a series of practical jokes on a slow-witted bulldog...