一名女子被殺，警方認為已逮到兇手。但沃蘭德的女兒和夥伴琳達不確定這個人是真兇，為了證明他是無辜的，她必須查出死者對西洋棋的愛好與這起命案的關聯。

In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!

A young photographer's home is haunted by it's former residents.

In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.

名人电台嘉宾乔杨在播出时接到一个电话，并引发了一系列威胁她生命和家人的事件。被迫在拯救妓女或高利贷之间做出选择，她的选择遭到了公众的强烈抗议。这部电影的灵感来自新加坡的现实生活事件，并探讨了如何塑造我们的生活是更多的选择而不是机会。

Kyungho confronts a young lady, who is the daughter of Insook, his first love. She asks Kyungho if he was her father.

In 1218 Danish king Valdemar sends his homonymous young son and heir in safety, as war is at the borders, to Erskil, the bishop of Ravensburg, who is instructed to see to the prince's education. Alas the bishop is the brain of a conspiracy to seize the crown for himself, as most of the nobles are dissatisfied with the endless wars that bring them no profit. The prince and kitchen-boy Aske accidentally fall out of the castle and overhear the conspirators, but are seen and pursued by the men of the One-eyed Man, a feared mercenary who is in the conspiracy to take mortal revenge on the king for leaving him behind on a battlefield where he lost an eye which was eaten by an eagle, which he tamed and now shares his sight with. Written by KGF Vissers

Big screen spin-off of the Seventies sitcom. Mildred Roper is determined to make husband George celebrate their wedding anniversary in style, at a posh hotel in London. However, upon arrival George is mistaken by a gangland criminal for a rival hitman, and soon the Ropers find themselves up to their necks in trouble on the wrong side of the law!

The film's story revolves around Asakusa-born-and-raised Gen, who helps out at his family's strip club. With his friends Makoto, Jimmy, and Mattsun, the four get into fights together, as well as help out with watching out for Gen's family. One night, Gen is told by his father to pick up a woman at the train station. There, he finds the beautiful Chōcho (lit. butterfly), and falls in love with her at first sight. However, he finds out that she is the #1 strip girl in Osaka, and Gen gets eccentric when he finds out that she'll be living in "England Theater," the strip club his father runs.

A biography of powerful Hollywood agent and executive Lew Wasserman.

柯克·里德元帅正在护送5名女囚犯——都是杀人犯——从德州的一个地点到另一个新建监狱。一路上，他不得不处理军队内部的纠纷，科曼契一家的袭击，与密苏里女士埃伦(在她的前夫，密苏里州的孩子，出现在试图拯救她之前)萌芽的恋情。

Originally released in 2001, Disposable Arts is a thematic/concept album by Masta Ace. The concept follows that Masta Ace is being released from prison, his return to home and joining ‘The Institute of Disposable Arts’. The album is one complete story with the skits and songs together. The album contain many guest artists like Masta Ace’s own group eMC (Stricklin, Punchline & Wordsworth), Apocalypse, Greg Nice, Rah Digga, J-Ro, King T, Jean Grae and more. Also a bunch of different producers, this album is seen as a classic album by most Hip Hop heads. This reissue by Below System, contains almost a 2 hour making of DVD where you will see most of the contributors to the Disposable Arts album. Interviews, stories behind the tracks and more content about the making of Disposable Arts.

Thirty years after the death of Ernesto Che Guevara, Maurice Dugowson went on the tracks of this revolutionary who was to become a true myth for a whole generation. Portrait.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.