Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

A TV movie focused on former Mafia boss Bernardo Provenzano and the policemen who tried to catch him.

In the Roman province a group of boys accepted Sola's proposal: to rape two German tourists on holiday in Italy held captive in a shack by a junkyard. The only one who pulls back from the group is Raniero, the others willingly accept to follow him. Slowly the news of the two imprisoned tourists spread like wildfire and attracts all the men of the area.

　　通过写真采访欧洲妓女的纪录片。女人为什么沦为妓女？男人对妓女有什么需求？妓女的生存现状如何？如何在现实社会中进行肉体买卖？她们追求金钱，自甘堕落？还是另有不可告人的秘密？妓女何去何从？未来的命运将会怎样？本片深入采访，揭露了妓女阶层的真相

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

The story of the first ever "anti-mafia judges pool" established in the '80s at the Palermo Courthouse, in Sicily, in the '80s, while two mafia families started a 10-year-long war to obtain the complete control of smuggles.

Professor Lipari teaches in a public school and is in a full-on existential crisis. He has no faith in himself and in the possibility of changing the world for the better. At school, a former student of his who is also a teacher will change his attitude.

原名Gianni Pacinotti的Gipi 1992年开始漫画生涯，代表作有《一场战争的笔记》、《我的生活的糟糕绘本》等，擅长描绘日常生活，作品常常嬉笑怒骂而又富有诗意，而从小开始玩超8摄像机的他也一直在拍摄电影短片。2010年读到另一位意大利漫画家Giacomo Monti的《没有人会伤害我》之后他便买下了改编版权，并且得到了意大利著名制作人多米尼科·伯加齐（《格莫拉》、《教皇诞生》）的大力支持。在这部影片中，长着大大的银色脑袋和深陷双眼的外星人来到地球不是为了“侵略”，而是来帮助人类解决彼此之间的沟通障碍。

The story of Giancarlo Siani, a journalist killed by the Neapolitan Mafia in 1985.

Psychiatrist Caruso is arguably as nutty as his patients. He can remember at two years old being completely besotted by the charms of a naked girl. Even today, he can think of little else besides sex, sex, sex.

Gianni is a middle-aged man living in Rome with his imposing and demanding elderly mother. His only outlet from her and the increasing debt into which they are sinking, are the increasingly frequent quiet sessions at the local tavern. As an Oriental saying goes, 'Moments of crisis are moments of opportunities'. These appear during the celebration of the holiday of Ferragosto on 15 August. That's when everybody leaves town to have fun. Opportunity knocks on Gianni's door in the most unexpected way.

西班牙的“奥斯卡”戈雅奖横扫十一项大奖的影片。讲述关于世界上最高的男人的故事。

一次性的校园激进分子南尼·莫雷蒂（也是这部电影的导演）放弃过去成为一名牧师。回到他的家乡，莫雷蒂对镇上的居民缺乏宗教崇敬感感到震惊。无法与他的老朋友们交流，他们都欣然屈从于七宗罪，莫雷蒂甚至无法从自己的家人那里找到安慰，这个混乱的家庭使“功能失调”一词有了几个新的含义。牧师最终放弃了这个村庄，转到了一个遥远的教区。

Salvo and Valentino are two happy Sicilian friends, who do not want to work, because they know that if they find a permanent job, their girlfriends will ask them to marry them.

Pasquale Baudaffi, on amnesty, comes out of prison and starts looking for a job with the help of his cousin Gaetano. But first he goes to what was once a brothel, but, unbeknownst to our hapless hero, has been taken over and rented as a dental office. Pasquale finds himself at the center of endless misunderstandings. He tries to be a gamekeeper but that's not okay, he tries to be a waiter in a bar: he immediately gets his orders wrong and he is fired. His performance as a garage keeper was negative. The very latest experience is in an electronics company but its insertion into the futuristic mechanism triggers the craziest complications. The encounter with a lost dog allows him to get to know his mistress and thus discover the woman of his life.

A queue at the ATM machine, a displaced family after a seismic shock that has half-washed their home, a tour within an art gallery, moments of everyday life that become the cues for the emergence of comic, farce, paradoxical situations – trademarks of one of the most successful Italian comic groups.

在谋杀老妇服刑四年后，他被释放，却即刻感到难以抗拒的杀戮冲动。谋杀的姐失败后逃至一座与世隔绝的村屋，那里住着年轻女人、她的生病母亲、还有一个弱智兄弟。接下来，他以施虐他们为乐，欲挟为人质，兼念及他的烦扰童年、虐待狂妈妈和他的祖母...

男孩罗伯早上撸管被母亲发现，随后经历了人生最苦逼的一天，正当他以为这一天，要以与美女嘿咻结束时，时针倒转，一切重新开始。

安东尼欧（斯蒂芬努·阿科西 Stefano Accorsi 饰）和安吉里卡（马吉莉塔·贝 Margherita Buy 饰）是一对恩爱多年的夫妻，可是就在最近，安吉里卡发现了安东尼欧的不忠，而后者似乎有意结束两人之间的婚姻关系。作为两人最好的朋友，同性恋人洛伦佐（路卡·阿根提洛 Luca Argentero 饰）和戴维德（皮尔弗朗西斯科·法维诺 Pierfrancesco Favino 饰）不知该如何安慰心碎的安吉里卡，同时，他们两人之间，亦有无法解决的问题。

影片表现了罗马郊区的青少年、妓女和拉皮条的人的生活，反映了流氓无产者和被社会所唾弃的人的生活世界。这部影片充满自然主义，高潮部分带有强烈的宗教狂热，穿插着梦幻，但又有明显的社会和心理特点，影片以主人公富有隐喻的死结束。导演在该片中大量运用了实际生活中的语言。