ONE BAD CAT is about the transformative role art plays in the tumultuous life of 82 year-old, African-American, renowned "outsider" artist Reverend Albert Wagner. He has been a lightening rod for controversy his entire life. Racism, ego and lust led him to the brink of ruin. Miraculously turned onto religion at age 50, he was inspired by God to paint, and become a famous artist for a mostly White clientele. From a racist Southern upbringing, in his later years his artwork railed against the lifestyles of members of the African-American community, which created as many detractors as champions. Near the film's conclusion, an ailing Albert comes to terms with his checkered past. Was Albert's penitence real and did he achieve redemption through his art?

Jurek Kiler has become a VIP - sponsoring the Polish government, playing tennis with the President, meeting world leaders. He must oversee a transfer of a substantial amount of gold. However, in his past activities, he has made enemies. Mighty ones. And thus Jurek Kiler's next adventure begins as he has to face attempts at kidnapping, assassinations and problems in his love life...

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

Alicia, a circus clown, dreams of being an actress. When the circus arrives in a remote village she meets Abelito, a boy with a skin disorder that prevents him from going out in the sun. As Abelito looks forward to the circus, Alicia anxiously awaits news from Havana about a casting.

Two Los Angeles cops go undercover to investigate the distribution of steroids to wrestlers and body builders.

本片翻拍自 20 世纪 70 年代布德·斯藩塞和特伦斯·希尔的影片，讲述了分别 25 年的两兄弟重聚并夺回父亲心爱的沙滩越野车的故事。

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

已故巴西先锋电影大师Candeias的黑白实验片，获瑞士卢卡诺国际电影节铜豹奖。Candeias被认为是巴西的“边缘电影”之父。

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

《捕捉阿凡达》是一部讲述阿凡达制作过程的长篇幕后纪录片。该公司使用了电影制作过程中的素材，以及早在1995年制作《泰坦尼克号》(Titanic)时就已储存的素材。还包括对演员、艺术家和其他工作人员的大量采访。这部纪录片是作为《阿凡达》扩展收藏版的附加内容而发行的。

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Woody Woodpecker goes out to dine and accidentally stumbles into a taxidermist's shop, thinking it is a restaurant. The taxidermist, wanting a woodpecker to stuff, doesn't inform Woody otherwise.

About the young Aarhus businessman Jacob Hansen who is going to a congress in Copenhagen. His competitor in the firm sends his secretary over to spy and bring Jacob into disrepute. The secretary has sympathy for Jacob, creating complications when his wife show up.

The Focus is the film about easy death on the Mediterranean sun.

John and Barry try to win back their respective girlfriends by reenacting scenes from films by the master of romance, Cameron Crowe.

A documentary about a gay nightclub performer with an especially lurid "Spider-man" act. Oliver is a female impersonator who supports his family by performing in Manila's gay bars.