Kurt Wallander and the other police officers try to find the connection between a horrible murder that took place in Ystad and the kidnapping of one of the police force's daughters. It also seems someone has infiltrated the police and controls every move the police make.

A short documentary about a filmmaker's life and her relationship with her body.

公平正义有时并没有看上去那么美好，反倒是残酷无情的。傲罗夫和卡罗莱纳于家中被人谋杀。其中，妻子当着丈夫的面被人先奸后杀。到底谁杀害了他们?沃兰德此次将和与他一样出色的林德曼以及自己的女儿一起侦破此案。

　　本片根据法国女作家葛朋畅销小说“安琪丽Angelica”改编（共有5集）曾获德国金像奖，此为第五集，大结局。 Angélique被绑架，并被带上了由d‘Escrainville指挥的一艘船。乔弗里·德·佩拉克紧随其后出发，两艘船展开了一场残酷的战斗。德埃斯克莱恩维尔被击败后投降，但昂热利酒已经被送到奴隶市场，并被卖给摩洛哥苏丹的后宫。尽管国王很有魅力，昂热利奎还是反抗。她被判公开鞭打。与此同时，佩拉克继续寻找她。

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

代理中尉霍恩布罗尔和他的船员在护送一位拥有自己秘密的公爵夫人时被敌人抓获。

A woman and her child are kidnapped by her lover and plans revenge on him.

Star follows the path of Tito and Jay, two brothers living in the Montreal neighborhood of Park Extension. Accompanying these young people in their daily life marked by complicity and intimidation, Star tackles themes dear to teenagers: identity and friendship.

Following the Stonewall riots, Trans activists Marsha P. Johnson and Sylvia Rivera opened S.T.A.R. house, the first LGBTQ+ youth shelter in the world. Soon after, they're faced with the reality that their battle for equality has to be waged on two fronts.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.

A gunfighter and a cowboy help a Mexican girl avenge the land-related murder of her parents.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?

Egon plans to exploit knowledge gained during his latest term of incarceration. By stealing the unmanipulated financial records of DanInvest he obtains the majority of the stocks in the department store Magasin du Nord, just in time for their closing sale. The attempt to get the red suitcase that will save the day they rob the main vault at the EEC headquarters in Brussels and end up hijacking a tank.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.