A man with a grudge against the late Little Joe seeks revenge on the Cartwrights and attempts to take over the Ponderosa.

本片由4个恐怖和科幻故事组成。一个注射类固醇的健美运动员被臭虫咬了，臭虫变异，开始攻击毫无戒心的客人。两个最好的朋友的忠诚度受到考验，他们都渴望从玛丽亚·安托瓦内特的断头台上获得一种魔力，这种魔力使女人变得不可抗拒和美丽。一个隐居的二战水手60多年前把自己锁在汽车旅馆的房间里，至今还没有老，而当一个漂亮的小女孩进入他那与世隔绝的世界时，他的生物钟就开始重新跳动。两个小窃贼偷走了魔术师哈里·胡迪尼的木乃伊手，结果发现这只手想和它的主人团聚。

一个强盗领导人希望建立一个教堂，以纪念他死去的儿子，他袭击墨西哥三个村庄和绑架所有的男性劳动力。其中被绑的男子，是以前的七蛟龙成员之一。他的妻子立即提出了寻找七蛟龙的其余成员来帮助她找回丈夫。而其他幸存的成员得知此事之后，决定联手去搭救奇科。克里斯带上新兵4人，再次出动，势要捍卫农民的自由，推翻那些可恶的压迫者。

精明干练的乔安娜•米尔斯（Sarah Michelle Gellar 萨拉•米歇尔•盖拉 饰）是圣路易斯一家运输公司的销售经理，她的事业蒸蒸日上，前途光明。然而最近她却保守噩梦的困扰，在梦中，她总会目睹一起残忍的凶杀案，这令她备受折磨，疲惫不堪。

After the Combiner Wars ended, Cybertron started to be rebuilt. However, an undead Starscream has been reincarnated as Trypticon, wreaking havoc around him. To combat this menace, Windblade gathers up a ragtag team of Transformers, including Optimus Prime and Megatron, to resurrect an ancient ally. And while some may be forever changed by the events, others may not emerge with their sparks intact.

Two young children and an adult in a small town have an encounter with an alien spaceship. 25 years later the children are reunited as adults in the same town which is now beset by strange cattle mutilations. Matters become worse when the cattle mutilations are joined by human murders and mutilations.

为了救神谷薰（武井咲 饰），绯村剑心（佐藤健 饰）纵身跃入大海，昏迷中他飘到某座小岛，最终为传授了他飞天御剑流的师父比古清十郎（福山雅治 饰）所救。深感到自身与志志雄真实（藤原龙也 饰）的巨大差距，为了拯救全日本，剑心恳请师傅传授他飞天御剑流的最高奥义。与此同时，志志雄剑指东京，迈出武力夺国的下一步。他强迫伊藤博文（小泽征悦 饰）对刽子手拔刀斋发布全国通缉令，得知消息的薰、左之助（青木崇高 饰）则匆匆向东京赶去。再度上路的剑心率先遭到御庭番众的首领四乃森苍紫（伊势谷友介 饰）的阻击，他一路披荆斩棘，将迎来与宿命的对手志志雄最终的对决……

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Fabienne 是一个女星——是法国影坛巨星。在拥护爱戴她的男人面前她是高高在上的女神。她的女儿因她出版回忆录而带着丈夫和年幼的孩子从纽约回到巴黎。母女二人的重聚很快便变成互相指责：真相将被揭露、算清所有前帐，向对方坦然承认自己的爱和怨恨。

在一张被盗的计算机磁盘中包含一个隐藏宝库的位置。 LETHAL（确保完全和谐与法律军团）的性感女士们要在坏人之前找到宝藏。美女们大展身手。

Eddie, Dov, and Yvan are back, still working in Paris' Sentier textile district, This time they're confronting the high-stakes world of large distribution after striking a deal with Eurodiscount, a European hypermarket chain.

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

Rowe McDonald is a headstrong missionary who has life after his mission all figured out. When a fatal car crash interrupts his plans, he is given sixty days to return to life and finish his work. Now he must choose whether to lead the life he planned, or reach beyond himself to change the lives of others. What will he do? Who will he touch? How will he prepare to leave it all behind?

After the death of his father, a brilliant college student returns to his family home where he learns that the horrors from his childhood aren't as dead and gone as he once thought.

James Bataille is in love. He attempts to stage an elaborate motorcycle stunt to impress the girl, but when it goes sour, he ends up in prison with a 133-year sentence. Bataille escapes from behind bars to make an appointment to fix the car of music biz tycoon, as well as watch the love of his life take part in the town's annual talent show.

The Return is a 2016 documentary directed by Emmy Award winning director Erich Joiner chronicling Ford GT's return to 24 Hours of Le Mans after their 1966 1-2-3 victory.

在《魔茧》的结局，Arthur Selwyn等数名老人随同外星人宇宙飞船离开地球，展开人生的新一页。在这部改由Daniel Petrie执导的续集中，这群老人有机会重回地球，协助外星人朋友拯救因地震而垂危的一批石卵。在这个过程中，他们跟昔日的家人和老友重聚，众人因为这批太空探险者的出现而有不同反应，而他们自己也有了一个自我反省的机会：是否值得永远离开地球呢？

在第一部的事件之后，变异合唱团继续在 Tromaville 肆虐。 Chrissy 和 Lauren 是两个无辜的女同性恋恋人，他们不仅要与白痴、变种人和怪物作战，还要与邪恶的 Tromorganic Foodstuffs Conglomerate 作战。 他们和神鸭凯文能否拯救特罗马维尔高中和整个世界？

8mm work directed by Norihiko Morinaga.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.