A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

Two close sisters, Myah and Beth, struggle with their differences in life and in the older sister's mentally abusive marriage, until the complacent lives of Beth and their married friends are shaken to the core by a tragedy that they are all forced to face.

Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?

Since some bird chicks hatched in the neighborhood, the bat hasn't got any sleep.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

A lonely man finds himself bedeviled by a malevolent force. But is it real or just all in his mind? (ALTER)

　　【File1:宝特瓶炸弹】一群年轻人想要让宝特瓶爆炸却始终无法成功，当他们不耐烦地往瓶子里面看的时候...碰！ 　　【File2:比试胆量】一群高中生站在顶楼阳台比试胆量，其中一人却不幸失足当场墬楼身亡... 　　【File3:废弃屋的怪人】一对情侣到山里度假，突然，一栋白色建筑物里似乎有个凸眼怪异男子在对他们讪笑... 　　【File4:男奥客（前篇）】一直抱怨不停的男子说要爆料，他说他知道一宗尚未破案的绑架案件中，遭到杀害的被害人尸体在哪里... 　　【File5:喂幼犬吃东西】儿子在晚上拿着剩饭剩菜出门喂食幼犬，可是，他身上却飘来阵阵恶臭... 　　【File6:诡异！会拍梦境的男子】听说只要把电插在人的头部，再连接到最古老的摄像头就能录到梦境... 　　【File7:被漠视的证据录像带】男子因对女性动粗而遭到逮捕，然而街景监视器拍到的画面却是一个被「诡异黑影」控制的男人... 　　【File8:被封印的电影】一部遭公司封存的电影始终没有公开播映，原来里头的演员接连惨死... 　　【File9:男奥客（后篇）】男子指出悬案藏尸地点，一行人浩荡出发却...

A depiction of the Wrangelkiez neighbourhood in Berlin. The people portrayed tell their life stories. One woman came to the neighbourhood a decade ago to work in Berlin’s still unfinished Brandenburger Airport, one man reminisces his childhood on a Tobacco farm in Kentucky, another speaks of an exceptional day in an otherwise monotonous workplace. These portraits are interwoven with the story of Elpi, a Greek woman who is waiting for the long overdue visit of an old important friend. The outcome of this mixture is a film which captures the lives and perspectives of some of Wrangelkiez’s most commanding citizens, while at the same time evoking the loss that change and time passing means for places and for people.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Dr. Beck, who has changed his name, saves a young teenage girl drowning in Mexico, whom he falls in love with. As always, there are some complications in his way, but he has plans to possibly get past them and get the girl of his dreams.

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

Yanki (Japanese delinquent) Hayato, is on his way with his senpai, (upperclassman) Yocchan to a so-called “resort” job with good pay, food, and housing. Hayato, not being able to commit to work, meets another Yanki who’s trying to work hard and form a family. Meanwhile, Yocchan ends up falling for the lunch lady at the “resort”... Will she be the one for him?

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

《地球引力》（Gravity）编剧，著名导演阿方索·夸隆（Alfonso Cuarón）之子乔纳斯·夸隆（Jonás Cuarón）日前确认将执导并编剧筹划已久的未来版“佐罗”电影——《Z》（Z）。该片由Lantica Media和Sobini Films联合摄制，Pantelion Films负责海外销售，影片计划今年夏天在多米尼加共和国Pinewood片场拍摄。

When a mysterious girl falls into the sights of a violent stalker, she is left with only one means of survival...

这部纪录片探讨了泰迪·彭德格拉斯（Teddy Pendergrass）的崛起，他是第一位在20世纪60年代美国的背景下连续五张白金专辑的非洲裔美国男性艺术家，也是他在一场改变人生的事故后卷土重来。

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.