这是从1940年到1967年的所有汤姆（Tom）和杰里（Jerry）短剧。 前114个来自汉纳·巴贝拉（Hanna-Barbera）时代（1940 – 1958），接下来的13个来自吉恩·代彻（Gene Deitch）时代（1960 – 1962），后34个是 来自查克·琼斯（Chuck Jones）时代（1963年-1967年）。

Weird things are happening in the town of Justice, Arizona: three sheriffs have disappeared, and someone is killing the rancher's livestock in a bizarre, ritualistic fashion. Locals believe the incidents were caused by aliens... But a visiting couple, Charlie and Rhonda, knows better – because they're aliens themselves. When no one else will, Charlie and Rhonda volunteer to be the new sheriffs to get to bottom of the crimes. Hiding behind the power of the badge, the two make their own rules, punishing wrong-doers with their own form of "eye-for-an-eye" alien vengeance. Follow this twisted, outer space "Bonnie and Clyde" as they attempt to bring Justice the justice it deserves.

A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.

Nina is a successful TV star, but her life changes when she is diagnosed with cancer. Facing a personal crisis, she has to confront her deepest fears.

Despite his adult age, Anselmo behaves like a child and takes up the role of a superhero called "Copperman."

Martin Bashir conducts a rare interview with Michael Jackson and is given unprecedented access to the reclusive performer's private life over a span of eight months, from May 2002 to January 2003.

Three young female activists in Uganda, Hong Kong and Chile in a united front for the future, in an inflamed film by a merely 21-year-old filmmaker.

本片获得伊斯坦堡国际影展(Istanbul International Film Festival)最佳影片金郁金香奖(Golden Tulip)提名

在魔法的世界里，小魔女优优（諸星すみれ 配音）和妹妹宁宁（加隈亜衣 配音）共同经营着诅咒业务，她们每天在魔法的帮助下上天入地，为他人排忧解难，生活悠闲自在，无忧无虑。可就在某个平常的日子里，魔法世界突然出现前所未有的震动，城镇和森林仿佛被某个淘气的孩子用胶水和泥巴杂乱无 章地捏在了一起。优优趋前调查，结果竟意外地来到了另一个世界。在那里她的身形意外变大，好像比实际年龄长了几岁，她遇到了丢失父母的少年孝洋（泽城美雪 配音）一家，得知这是一个没有魔法的世界。为了找到返回魔法世界的办法，并找到孝洋的父母，优优和另一边的姐姐合作，踏上未知的征程……

When two acrobats are fired for fighting with punks in the audience, they go to live with an aunt who's being pressured to sell her house for a real estate development. The developer's nasty son, Lee Fu, decides to muscle the sale, and soon he's at war with the acrobats, plus their unlikely ally, an American named John who used to be Lee Fu's friend. The acrobats open a kung fu school, the scene of several battles with Lee Fu's thugs. A fight to the death, jail time, auntie's surprise decision, a budding acting career, a possessive girlfriend, a debilitating injury, a friendship that needs recalibrating, and Lee Fu's avenger are all in the mix before the end.

加入证人保护计划之前，银行抢劫犯米克尔（尼古拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰）对警方提了三个要求，而这三个要求传递出的信息表明这次银行抢劫并不像看上去那样简单……

Jesus, who's hitting the big 3-0, brings a surprise guest to meet the family. A Christmas special so wrong it must be from comedians Porta dos Fundos.

Marcel and Jim, two friends, appear to be plagued by a midlife crisis which is ruining both their artistic and emotional lives.

　李·佩斯出演美国传奇汽车公司德劳瑞恩的创始人——天才汽车设计师约翰·德劳瑞恩，影片设定在1980年代，德劳瑞恩创建还没几年，正在崛起，聚焦约翰和苏戴奇斯饰演的Jim Hoffman的关系。Hoffman看似有趣迷人，其实他是一名前诈骗犯，现在为FBI工作，他来约翰这里当卧底，想要控告其贩毒。两人建立的一段有趣的bromance也很快急转直下，行差踏错。

Multishow ao Vivo: Vanessa da Mata is a live album and DVD from Brazilian singer Vanessa da Mata, produced by the channel Multishow. Multishow ao Vivo was recorded live at the historic town of Paraty, and brings in the repertoire songs that marked the career of da Mata.

Kyle and Max are two extreme sports athletes, two riders in continuous challenge and search for money. When they find out of the enigmatic proposal for a mysterious contest by an unknown organization, Black Babylon, they can’t turn down the $ 150,000 prize. But the “contest” will turn out to be much darker and deadlier than expected.

“片长七小时却每一分钟皆雷霆万钧，引人入胜。但愿在我有生之年，年年都重看一遍。”——苏珊‧桑塔格 开场八分钟的推轨镜头，已道出此片的史诗气魄。牛群从牛棚涌出，摄影机隔 着 一列破旧的农居追踪，有趣的是牠们一路盲目前冲，一路还试图交配。塔可夫斯基式的画面，却是教人屏息的典型塔尔风格，妙笔一挥预告一个集体农场如何走向灭亡。故事始于传闻已死的骗子重临村子，他要骗走农场收入 ，却给村民认定是大救星。接 着 上演一个悲剧，然后是一个讽刺故事。全片十二章的结构正如 Krashnahorkai 的原着，启发自六步踏前、六步退后的探戈舞，不同视角有时重複同一剧情。农场最终的命运暗喻九十年代初共产主义的破产，同时也是人类共同命运的观照。全片最精采两段，一是担当叙事者的医生偷偷记录村民活动，他蹒跚买醉的跟镜，成为最感人的观影存在体验。另一段女孩虐猫，亦写下影史上有数的伤感时刻。没有故弄玄虚，一种交代故事的坦率，让演员在真实时间存在，让观众随他们的情态同步呼吸，箇中有导演对电影最大的深情与敬意。七个半小时的每个镜头，个个都是不朽──没有想当然的静止，而是自有一种有机的内在节奏。像小津和德莱叶，塔尔深谙长镜头的真谛。这是必须去经历的，一生难逢的观影经验。