After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

After the death of his father, a brilliant college student returns to his family home where he learns that the horrors from his childhood aren't as dead and gone as he once thought.

Two rich children devise a way to escape their grandfather and visit their mother. Unfortunately for two hapless safe crackers, they become part of the plan.

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

UFC 21: Return of the Champions was a mixed martial arts event held by the Ultimate Fighting Championship on July 16, 1999 at the Five Seasons Events Center in Cedar Rapids, Iowa. The event was seen live on pay per view in the United States, and later released on home video.

环游世界的冒险家格列佛受邀回到小人国，因为邻国布罗卜丁奈格的军舰进犯时，他曾施以援手。然而当他抵达的时候，面对的却是气愤、慌乱而又不知所措的小人国国民。国王明明说过要来的是传奇巨人格列佛，可他们见到的却是一个和普通人没什么两样的家伙，枉费他们为招待巨人付出了那么多心血。失望至极的小人国国王于是下令处决格列佛。可就在这时，布罗卜丁奈格的无敌舰队再次叩关，小人国危在旦夕。这一次，格列佛要证明，不是非得有巨人的身躯才能做大事……

事到如今，所有人都知道马尼·派珀（萨拉·帕克斯顿饰）是女巫了。因此，她获得万圣镇著名的女巫大学的全额奖学金也不足为奇。炼金术、护身符、魔药、预言，这一切都让马尼兴奋不已，她期待着成为大学的明星学生。但是，一切都不是表面看起来的那样。学校颁布了新规则：禁止使用魔法！马尼了解到一个古老的预言，而她正是揭露终极秘密的关键人物。马尼身边有老朋友伊桑（卢卡斯·葛雷比尔饰）和骷髅本尼支持，也获得了佩里温克尔教授和精灵阿尼莎的协助。万圣镇建成1000周年庆典在即，马尼来得及做出正确的决定吗？

A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.

本片由4个恐怖和科幻故事组成。一个注射类固醇的健美运动员被臭虫咬了，臭虫变异，开始攻击毫无戒心的客人。两个最好的朋友的忠诚度受到考验，他们都渴望从玛丽亚·安托瓦内特的断头台上获得一种魔力，这种魔力使女人变得不可抗拒和美丽。一个隐居的二战水手60多年前把自己锁在汽车旅馆的房间里，至今还没有老，而当一个漂亮的小女孩进入他那与世隔绝的世界时，他的生物钟就开始重新跳动。两个小窃贼偷走了魔术师哈里·胡迪尼的木乃伊手，结果发现这只手想和它的主人团聚。

A horror short with no dialogue (Advised to watch with headphones)

一个强盗领导人希望建立一个教堂，以纪念他死去的儿子，他袭击墨西哥三个村庄和绑架所有的男性劳动力。其中被绑的男子，是以前的七蛟龙成员之一。他的妻子立即提出了寻找七蛟龙的其余成员来帮助她找回丈夫。而其他幸存的成员得知此事之后，决定联手去搭救奇科。克里斯带上新兵4人，再次出动，势要捍卫农民的自由，推翻那些可恶的压迫者。

When Crystal Wyatt was 16 her father passed away. From that time her life would never be the same. Crystal is banished from the family ranch, and starts a new life as a singer in a San Francisco nightclub.

Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.

克里希纳(Krishna)的梵文原意是“黑天”，印度教崇拜的大神之一。他是天神毗湿奴(Vishnu)的第八个化身。他从小就以牧童的形象出现，善于助人，喜欢吹笛子，并技艺高超，平时用羽毛来装饰自己的头，而且经常和牧牛女嬉戏跳舞。他象征着爱与神圣的喜悦，全身皮肤均为蓝色，好莱坞科幻大片《阿凡达》中的人物形象就是以“黑天大神”克里希纳的原型塑造的。电影讲述了一个孩子经黑天宿主，在人间除恶助善的故事，该片是一部真人版3D动画儿童片。玖熹·查瓦拉近年来已经鲜有作品问世了，不是给这部片配配音，就是帮那部片串串场。这次玖熹·查瓦拉又选择参演了这么一部儿童片，不过她在片中的戏份还是比较吃重的。《我乃黑小天》的第一制片人Nandan Mohato，是玖熹·查瓦拉与赫里尼克·罗斯汉的私人助理，而第二制片人Pomilla Hunter是卡特莉娜·卡芙的御用发型师。显而易见，这三位大牌都是本着友情关系特别出演此片。

该片于2011年8月至2013年8月间拍摄，影片讲述了两位来自霍姆斯的年经人对当局不公正统治的反抗。在叙利亚西部城市霍姆斯，人们期盼着和平与自由，但是他们迎来的却是更加残酷的统治，当局的行为使得他们的城市霍姆斯变成了一座鬼城，此地年轻的男子都成为武装叛乱分子。影片的主人公19岁的Basset与24岁的Ossama，他们是很好的朋友，同时他们通过自己的斗争反抗现状。

Star follows the path of Tito and Jay, two brothers living in the Montreal neighborhood of Park Extension. Accompanying these young people in their daily life marked by complicity and intimidation, Star tackles themes dear to teenagers: identity and friendship.

在一张被盗的计算机磁盘中包含一个隐藏宝库的位置。 LETHAL（确保完全和谐与法律军团）的性感女士们要在坏人之前找到宝藏。美女们大展身手。

A construction film collected from archival footage of the twenties and thirties of the last century, preserving memories of the construction of a new life and way of life: the launch of the metro, hard work in production, cultural life and recreation. By combining two parallel stories - the state film chronicle and diary entries - an attempt is made to revise historical archives and customary knowledge about time. The collective image of a hero from the crowd is brought to the fore.