The Artificial Intelligence Revolution is happening, and America is watching it on their Living Wall flat screens and Genius Phones. Homeland Security's Cyber Crime Division is the only thing trying to stop the 'bots and 'borgs from taking over.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

A travelling theater-company performs Offenbach's "The Beautiful Helene" when an officer in the audience notices the similarity in appearance between the leading actor Leonard Pettersson and the king Charles XV.With Pettersson dressed as the king and the other actors as the royal suite, they all go to Herrsunda castle where the officer is trying to make an impression on his fiance.

Two Los Angeles cops go undercover to investigate the distribution of steroids to wrestlers and body builders.

A racer in the motorcycle sport called 'sidehacking' goes on a rampage of vengeance when his fiancée is raped and murdered.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Violet, employed as a maid of Count Berkow, is wrongly accused of burglary of the Count. After an unjust prison sentence Violet travels to America.

A visually stunning paean to spiritual pilgrimage that creates a world of intense reverence, distinctly Asian in its imagery. Set to Georgian folksongs with 3½ tons of shimmering golden grains of rice.

The film is an unofficial remake of Tamil film Ullathai Allitha, which itself is influenced by the Hindi film Andaz Apna Apna.

A divorced mother is obsessed with the idea that her ex-husband is plotting to take her baby away from her.

Seeking refuge from the law, teen poet Stella tells of the mysterious disappearance of her highschool lover Sebastian and the strange deed she was compelled to perform

Jin-woo, who attends a physical school, visits the home of Min-cheol, a physical education teacher in high school who lives outside the city for vacation. Office worker Soo-hyun, now a college student, Soo-hee, and Min-cheol, who greet Jin-woo with two daughters. A few days later, Min-cheol went on a business trip due to a local seminar. I am sorry to Jin-woo and leave the house. That evening, Soo-hyun got drunk late at night. Complaining over the grievances of office workers. He seduces Jin-woo, saying it's been a long time since he met a man. The next day, Soo-hee approaches Jin-woo after finishing her workout. She says her dad is annoying and doesn't tell her well, and asks her how to stretch. Naturally, she started tempting Jin-woo because she saw her doing with her sister while the skin ship was coming and going.​

Who is he? Where does he come from? What does he want? An experimental short film created for the most part with a mobile phone. The filmmaker shot on the first day, animated on the second, and tried to make sense of it all on the third.

Bizet’s rarely heard opera returned to the Met for the first time in a century on New Year’s Eve 2015, in Penny Woolcock’s acclaimed new production. Star soprano Diana Damrau sings Leïla, the virgin priestess at the center of the story. Matthew Polenzani and Mariusz Kwiecien are Nadir and Zurga, rivals for Leïla’s love who have sworn to renounce her to protect their friendship—and who get to sing one of opera’s most celebrated duets, “Au fond du temple saint.” Nicolas Testé is the high priest Nourabad and Gianandrea Noseda conducts Bizet’s supremely romantic score.