Soviet wartime cameramen accompanied the fighting troops of the Red Army on foot, aboard their tanks, and in their aircraft to film this epochal documentary of the Battle of Moscow that halted the vaunted and---until then, unstoppable---German war machine cold in its tracks.

Big screen spin-off of the Seventies sitcom. Mildred Roper is determined to make husband George celebrate their wedding anniversary in style, at a posh hotel in London. However, upon arrival George is mistaken by a gangland criminal for a rival hitman, and soon the Ropers find themselves up to their necks in trouble on the wrong side of the law!

The second half of On the Trail of Bigfoot. The Search takes you deep into some of North America's densest forests in search of the legendary "Bigfoot".

18 directors, 18 novels, 18 short stories about Moscow...

Fight Club was a two-day professional wrestling pay-per-view (PPV) event promoted by Game Changer Wrestling (GCW) that was held on October 8 and 9, 2022. Both nights of the event were held in Atlantic City, New Jersey; night 1 of the event took place at the Garden Pier at the Showboat while night 2 was held inside Showboat Hotel itself. The event aired on PPV via the FITE TV service.

With the Kingdom now firmly in his grasp, King Philip faces the return of his twin brother Jules and a distant Barbarian King with another ancient and deadly form of combat.

　　罗杰退出佣兵之后，过着品尝美酒、拥抱美女的惬意生活，只是好景不常，他和他的小组又再次被召回战地。他们被告知将到东欧的森林，追捕一支据说夺取了国家重要利益的队伍。到达目的地后，队员却一个接着一个被敌方打伤或杀害，角色也从猎人变成了猎物。罗杰费了一番功夫才围捕住这支队伍，但万万没想到，这支队伍只有一人，而且是名为丝丹卡的美女狙击手，而她所做的一切皆是为了复仇。在解开误会之后，罗杰就发现丝丹卡的战力与自己相差无几，于是他们在没有后援的情况下，并肩作战，对抗一群邪恶的军人和叛徒。只是他们两人很快就发现，有时候会出现敌亦是友、友亦是敌，让人无所适从的情况。

Four aspiring film technicians decide to steal from the producer who rejected their script to fund their movie. Meanwhile, the producer's paramour — a former actress — also plans to loot him with the help of her boyfriend. Who succeeds in the end?

A story of two story of two children tossed between their indifferent parents and a progressive boarding school.

在这部属于原一男极端个人的记录片开始，导演表明他拍这部片子就是要尝试解决他和前情人武田美由纪之间的感情问题，这个武田美由纪也是他们孩子的母亲，同时也是一个双性恋的女性主义者。这一表白暗示着原一男因为武田美由纪而感觉困扰，需要将之作为魔怪驱除。此外，导演和他目前的情人小林佐智子（现在为制片人）一起工作的这部电影，想要进一步展示的还有，描述了一个罕见的、毫不畏惧地迎面复杂生活的女人。影片没有从杂乱不堪的生活中躲开，相反是纵情其中。武田美由纪允许原一男和他的镜头以一种令人吃惊的通道进入她的生活，完全赤裸裸地剥开自己，一种赤裸也是一种象征。影片呈现出复杂而深长的意味，似乎影片很明显是关于片中的这个女人，但也是关于导演原一男自己，他明白自己的一部分和武田美由纪密切相关，可是她，并不关心原一男或观众会怎么看她，她似乎不感兴趣被描述为一个被怜悯者。她无数次对原一男和他的镜头直接表达她的愤怒，并因此走开，这种愤怒和生气是捉摸不定、反复无常的，也是一种美丽和非常生动的场面。这部电影如同小川绅介早期电影一样，是日本记录片发展进程中的一个里程碑。它们之间的区别是，小川的记录片是有关社会主题的集体电影制作，而原一男的这部电影则是代表了一种朝向个体的彻底转向。

When the executives at Heartstrings Press wants to drop Michael Rothchild’s next romance book, junior editor, Dori Shephard, argues her way into working as the lead editor. But Dori’s dream job becomes her nightmare as she realizes Michael isn’t everything she imagined. Dori breaks the news to Michael that the executives think he’s an ill-mannered, washed up novelist and want to terminate his contract. Not wanting to be dropped from Heartstrings Press, Michael agrees to work with Dori for 30 days. While Dori wrestles with Michael’s languorous behavior she’s also in the midst of planning her wedding to her fiancé, Philip. However, things go awry for Dori when work becomes an obstacle in her relationship. Dori must learn what true love really means before it’s too late.

在二次大战末期，德国纳粹SS党卫军徵召了一群自愿的貌美女子来为前线的德军做特殊的服务，为了心中的梦想走上了战场，这群女兵们在战场上和战场下的生活、爱情和欲望相互交织在一起，但是事情却变得复杂，还必须提防女军官与同袍的诱惑，特别是对付苏俄军队的战况日趋激烈…她们命运会如何呢?

　至纯至善的大男孩陆天宇常年默默暗恋着自己的女神左小薰，而粗心大意的陆天宇从未引起过左小薰的注意，总是在人生最糗的时刻被自己心爱之人撞见。作为屌丝和衰神的代表，陆天宇常年被朋友嘲笑打趣，一次意外之下，陆天宇竟然解开了弧线大人的封印，狐仙大人意外闯入了陆天宇的生活并与他开始了一段神奇的同居时光，两人在这段经历中感情渐深，弧线更是帮助陆天宇完成了屌丝逆袭，从一个懦弱的男孩渐渐成长为一个有担当的男人，最终凭借着自己的努力，一步步靠近了自己心爱的女孩，而此时陆天宇竟然发现，自己深爱的左小薰竟然是狐仙大人前世深爱之人....

Reflections is a film by Henrikas Šablevičius that was made for Lithuanian Television. It is a surrealist etude that doesn’t have a clear narrative, and is courageous in its form, unusual in the context of Lithuanian cinema at the time.

名人电台嘉宾乔杨在播出时接到一个电话，并引发了一系列威胁她生命和家人的事件。被迫在拯救妓女或高利贷之间做出选择，她的选择遭到了公众的强烈抗议。这部电影的灵感来自新加坡的现实生活事件，并探讨了如何塑造我们的生活是更多的选择而不是机会。

A 1988 documentary film directed by Alexander Sokurov, about the later life and death of Soviet Russian filmmaker Andrei Tarkovsky. The film was originally intended to mark the 50th birthday of Tarkovsky in 1982, which would have been before his death. Controversy with Soviet authorities about the film's style and content led to significant delays in the production.