一个绰号为“耶稣会士”的男子因未犯下的罪行而入狱。当他的妻子被谋杀，他的儿子被绑架并被带到墨西哥时，他制定了一个复杂而危险的计划来营救他的儿子并为谋杀报仇。

在这部令人心潮澎湃的惊悚片《应有的正义》中，前海军陆战队员马克斯（凯南·鲁兹饰）深爱的妻子和女儿在一场冷血的暴力行为中惨遭杀害，他经历了毁灭性的损失。麦克斯沉浸在悲痛和复仇的驱使下，开始了一项不懈的任务，追捕肇事者。

几十年前，苏联创造了杀不死的鲨鱼人，并将它们投放到了月球。今天，一队美国宇航员将与他们进行殊死搏斗。

盖瑞想和他的青少年姐姐萨曼莎以及小伙伴们拍摄一部最酷炫的电影，却遭受到了一群不良青少年的阻挠，而他姐姐似乎对这群青少年中的比利动了心。感觉遭受到姐姐背叛的盖瑞便决定联合小伙伴毁掉这群青少年的派对之夜，然而外星人的突然出现让事情变得更加不可收拾了。

鸣梁海战续集也将提上制作日程。据片方介绍，续集计划采用中韩合拍的方式，届时有望在中韩两国同步公映，这样一来两国影片上档时差将被彻底打破。历史上，鸣梁海战之后第二年也就是1598年，中朝水军和丰臣秀吉的日本海军进行了露梁海战，朝鲜将领李舜臣（崔岷植在《鸣梁海战》中的角色）和大明将领邓子龙联合指挥并取得大捷。如果中韩真的能合拍续集，应该就是拍摄这个故事，邓子龙将由中方哪位男星出演和崔岷植飙戏让人期待。

《捕捉阿凡达》是一部讲述阿凡达制作过程的长篇幕后纪录片。该公司使用了电影制作过程中的素材，以及早在1995年制作《泰坦尼克号》(Titanic)时就已储存的素材。还包括对演员、艺术家和其他工作人员的大量采访。这部纪录片是作为《阿凡达》扩展收藏版的附加内容而发行的。

Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.

As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

六个瑞典女孩来到瑞士，她们要来继承一笔遗产，但由于遗嘱文件还没有送到，于是她们准备去阿尔卑斯山旅行，一次放纵情欲之旅由此拉开帷幕......

is a creative documentary-fiction film and a film that might expand your sense of reality. It is the story about a man who enters the virtual world Second Life to pursue his personal dreams and ambitions. His journey into cyberspace becomes a magic learning experience, which gradually opens the gates to a much larger reality.

在19世纪初，拳击是国王的运动，一位有天赋的年轻拳击手以自己的方式成为英国的冠军。

A female FBI agent holidaying in Eastern Europe with her family gets her life upside down when her daughter is kidnapped. She has to team up with a criminal on the run to save her daughter before time runs out.

欧仁妮是一位手艺出色的厨师，她在过去20年里一直为美食家多丹工作。他们的感情日渐深厚，最终发展成一段恋情，两人做出了令世界上最杰出的厨师都赞不绝口的美味佳肴。当欧仁妮拒绝多丹的求婚后，多丹决定开始为她烹饪。

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

前特种部队成员Doc Alexander被要求秘密调解与墨西哥毒品贩子的停战。当俄克拉荷马州州长理查德·杰夫斯在电视上庆祝处决一名高级毒贩成员时，他的幕僚长和Doc告诉他，他刚刚结束了一场和平。但为时已晚，因为毒贩集团的刽子手Cuco已经将他的复仇目标对准了Doc的女儿Dixie。

凭活尸虐杀电影闯荡各大奇幻影展的澳大利亚导演齐亚罗区透纳，新作《蜘蛛惊》把僵尸换成变种蜘蛛，让观众抛开超级英雄蜘蛛人的美好，再掀人类内心对蜘蛛的深刻恐惧。受家中大人冷落的小女孩，孤独的她与意外发现的外星小蜘蛛展开奇异的连接，没想到看似迷你可爱的秘密宠物，却在嗜血欲望下惊人成长，在公寓邻居的宠物一一失踪后，女孩意识到只有她能拯救即将被猎杀的亲爱家人。

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

影片《A》开拍于1995年，在东京地铁发生举世震惊的“沙林事件”6个月之后。这部试图从内部对奥姆真理教进行观察的纪录影片其整个制作过程耗时两年三个月。和一些先入为主的见解相左，影片的作者并不急于得出直截了当的结论；也不同于许多新闻报道中所提供的正反两极化呈现——这种方式往往将对立的“他们”（年轻的奥姆教皈依者）和“我们”（警察、媒体、你我自己）描述得犹如一枚硬币的正反两面；在森达也的镜头前，神圣和卑劣、公正和虚伪这样一些截然对立的概念跨越了界限分明的鸿沟而交汇在了一起。该片的目的不是为了一味地去曝露那些异教徒的阴暗，而是从一种相对的视角来反观我们自身存在的暴唳和缺陷，你的，和我的，从而进一步找到人性中黑暗的根源。