Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

卡然和基尚是多年的朋友,但他们却朝着完全不同的方向发展卡然是乡下的穷苦机修工,基尚是城里有钱的大老板卡然准备到异地工作,想赚更多钱,他希望基尚能照顾他的女儿,让她住在基尚家里基尚无法拒绝这个老朋友的要求,于是卡然的女儿——苏曼,住进了基尚的家里 基尚的儿子——普瑞姆,和苏曼建立了纯真的友谊.普瑞姆带苏曼参加朋友的聚会.却遭到了恶人的诽谤,并指控苏曼是想嫁给普瑞姆以谋取他家的财产.于是苏曼带着眼泪离开,并开始和普瑞姆保持距离而普瑞姆突然发现自己已经爱上了苏曼,在母亲和朋友的帮助下,普瑞姆赢得了苏曼的心可是后来,基尚听信了奸人的谗言,认为卡然故意将女儿安排在这,想谋夺他的财产他要将苏曼赶走,而卡然正好在这个时候回来了,当他看到老朋友这样污蔑自己后,伤心的带着女儿回到乡下普瑞姆不能忍受这种分离,公然反抗自己的父亲,并离开家,到乡下去找苏曼,希望能够和苏曼结婚,但却遭到了卡然的拒绝…..最终普瑞姆能不能和苏曼在一起呢? 故事又将如何发展 …

mtDNA 1Ce hg is a landscape study, shot in northern Iceland at 16mm, approximately 400 feet long. This piece shows an environment stripped of the human figure, evoked only by its vestiges, apparently abandoned in the solitude of a barren terrain and an inclement climate. The title of the piece appeals an archaic link between who looks and the environment that crosses with a certain strangeness in capturing a small fragment of the history of the crossroads.

“缅因海”是从巴黎到圣纳泽尔（靠近海洋）的一列火车的名称。在这列火车上，巴西人德贾尼拉与两名检票员发生了冲突。另一位旅客米米是一名律师，帮助了她。他们四人稍后会聚在一起，与一位说话奇怪的水手（米米的客户）一起经历几次奇妙的冒险。

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

午夜电影：从边缘到主流告诉这些里程碑电影隐藏的历史，萨尔瓦多地形（1970），活死人之夜（1968年），就越难他们来（1973年），粉红色的火烈鸟（1972年），洛基恐怖图片展示（1975年），和橡皮头（1977）。该纪录片包括深入采访导演，制片人，编剧和演员谁是这些低预算的一部分，但不朽的作品，参展商和谁打他们的经销商，谁看到他们的观众。

A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.

A small town in Spain, October 1955. Isabel, a 35-year-old dreamer who feels like a failure because she is not married yet, becomes the new target of a group of soulless pranksters.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

为纪念苏联卫国战争30周年，前苏联莫斯科电影制片厂于1970—1972年，拍摄了一部堪称前苏联电影史上耗资最巨、规模最大、场面最为壮观的战争题材影片———《解放》。影片从1943年苏联红军反攻（库尔斯克战役）开始，到强渡涅伯河，解放基辅，最后攻克柏林。分为五集，片长将近8个小时。导演尤里·奥泽洛夫为强调“纪实性”、“史诗性”，在影片中穿插了大量的真实历史文献镜头。影片还出现了不少历史人物，如斯大林、朱可夫、罗斯福、丘吉尔、希特勒、墨索里尼等。此外，影片还蕴涵丰富感人的故事情节，从苏、德两军统帅到普通士兵，从苏军反攻到德军覆没，成功地表现了一种攻无不克、战无不胜的革命乐观主义精神。 这是第三部。

“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

对于害羞的少年凯文来说，被欺负是日常生活的一部分。但有一天，一位年长的班尼（Benny）来帮助他。被班尼自信的外表所打动，凯文从此寻求他的陪伴，并逐渐崇拜他但本尼的本意并不是要保护小男孩，恰恰相反。

Drama descends upon two tennis-obsessed women as the tension moves from off the court and into the café.

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

A group of friends meet after some years apart and decide to go on a treasure hunt.