In this romantic story, a couple (Michel Serrault and Virna Lisi) who have been married for over forty years are forced to separate, one to each of their two children's families, when they can no longer pay the rent on their longtime apartment. Absence, in this case, refreshes their memory of the love they have shared, and they take to meeting one another furtively in hotel rooms for sex and affection. One summer, as each of their daughters families takes them on separate vacations, they have had enough, and elope, finding contentment as lighthouse keepers off the coast of Sicily.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

For Yogi, assaults have become a daily routine, so much so that the sight of his latest victim, a heavily injured woman slumped in her car, leaves him untouched. But then he spots her baby on the back seat. Without a second thought, Yogi takes the completely defenseless creature along in a basket. Not even a machine gun pointed at his forehead could have had a stronger impact on his life; he feels threatened and seduced at the same time.

　　电影讲述了高中三年级的篠弓弦，在星期一的早晨跟射箭社的学弟芹生冬至在在校门口相遇了。在女生之间一直超人气的芹生，据说──只要在星期一第一个向他告白，他一定会答应交往，然后到了周末就分手。限定一星期的恋人──因为弓弦不经意的一句话，两人开始交往…...

Apathy, technology, paranoia, disease and medication. Meet Arin. Arin is a shy videographer who finds it too much to handle to go out and meet girls, so he sets up an account on meester.net. The flood of responses never comes, save for one email from Susan, a struggling artist who finds her job as a waitress stifling her creativity. Susan is also on the shy side and is seeking an alternative to the classic dating situation. When Arin and Susan finally meet, that alternative dating situation comes to life as the two refuse to communicate verbally with each other, wanting to avoid bs small talk.

'Redemption' (2017) submitted to the Quiet Corner Film Festival. In 2017, the film received prizes for Third Place and Audience Favorite at the festival.

Radúz, the son of a Magurian king, has lost his way hunting in the territory of the Tatra King Stojmír. He learns from his loyal servant Radovid the reason behind the two countries' conflict. When Radúz's mother Nyola married his father, the rejected wooer Stojmír married the evil Princess Runa. Runa out of jealousy continually incites hatred for Maguria. Radúz and Radovid have only just crossed the border when an army commanded by Runa detains them. The white deer that Radúz has killed belongs to the youngest of Stojmír's three daughters, the beautiful and delicate Mahulena.

Philippe and Sylvie have to do with Alvarez, a dangerous gang leader. They break up with him and commit robbery and murder. Sylvie suggests that Philippe take refuge in his quiet family. His younger sister Antoinette attracts and charms Philippe and excites the jealousy of Sylvie who informs Alvarez. The police get involved and Philippe is killed during a merciless fight.

Documentary about Hong Kong cinema's influence on the films of Quentin Tarantino.

中期以后的布鲁克，导演的总体趋向是越来越精粹、简练。布鲁克认为戏剧的本质是抽象的，不是填满戏剧舞台的实物，不是演员本身，也不是演员的表演；剧场是当下的内心反应，只存在于演员与观众相遇的时刻；作为社会在一个空间的缩影，剧场的任务在于让这个小宇宙感受到另一世界短暂燃烧的气味，使我们的现实世界联为一体、有所改变。他将有限的戏剧舞台处理成空的空间，其表导演理论令导演、演员、观众的心灵具有无限的包容力、想像力和时间感，使导演与剧作家、演员、观众，演员与演员、观众之间的关系更具挑战性。