When a fun-loving, middle-aged single mom accidentally gets pregnant, her prim teenage daughter is scandalized. But mother and daughter slowly reverse roles as the pregnancy progresses.

A grieving young inventor finds solace in repairing an antique typewriter.

The Lindenhof School is expecting a busload of proper young English ladies as exchange students. The shock is great when the students turn out to be teenage boys! But while Mademoiselle Bertoux is delighted to stage “Romeo and Juliet” with real boys, both Hanni and her sister Nanni fall for their “Romeo,” Clyde.

Russia has a surfeit of overqualified graduates. Nastya Sokolova is one of them. Her career, if you can call it that, gave her a plethora of unexpected work experiences: from desk slave in banking to head bookkeeper of an illegal brothel. The film’s eight tableaus detail the various workplaces, colleagues and situations. To finish it off: deadpan commentary.

Bakai is an old shepherd who lives in the country while his children have long grown accustomed to life in the city. When his youngest son pays him a visit, Bakai wants him to stay and help with the rigors of rural living.

Celebrate the best surprise party ever with Fien, Teun and all their animal friends in their brand new cinema film! Once again full of cheerful – well-known and new – songs.

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!

以知名遊樂園為主的紀錄片，彰顯遊樂園製造人工娛樂的荒謬性。

Bill Wyman, former bassist for The Rolling Stones, is your host for this documentary which offers a detailed look at the history of blues music. Bill Wyman: Blues Odyssey follows the rise of the blues in America as it travels from the Mississippi Delta and the Deep South to the big cities of New Orleans and Chicago, and then crosses the ocean to England, where the U.K.'s nascent rock 'n' roll scene helped spark a new interest and appreciation for the music. Bill Wyman: Blues Odyssey features performance footage of such legendary artists as Muddy Waters, Buddy Guy, John Lee Hooker, Lightnin' Hopkins, The Rolling Stones, Chuck Berry, Bo Diddley, and many more. ~ Mark Deming, Rovi

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Audre Lorde, the highly influential, award-winning African-American lesbian poet came to live in West-Berlin in the 80s and early '90s. She was the mentor and catalyst who helped ignite the Afro-German movement while she challenged white women to acknowledge and constructively use their privileges. With her active support a whole generation of writers and poets for the first time gave voice to their unique experience as people of color in Germany. This documentary contains previously unreleased audiovisual material from director Dagmar Schultz's archives including stunning images of Audre Lorde off stage. With testimony from Lorde's colleagues and friends the film documents Lorde's lasting legacy in Germany and the impact of her work and personality.

A socially conscious monster movie in which zombies symbolize society's disadvantaged and oppressed.

A sports announcer and a friend investigate after a pitcher misses a series. When they discover that gangsters are trying to find a hidden fortune, they use the radio show to foil the plan.

Two women hook-up during Halloween. One of them will try to make the other fall in love.

Two friends fall in love with the same girl.

A zombie meets a young woman while jogging.

A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.