维斯特洛大陆边境处发现远古传说中早已灭绝的生物，危险也渐渐靠近这里。危情一触即发，整个王国看似平和的表面下却是波涛暗涌。权高位重的拜拉席恩家族、勇敢善良的史塔克家族、企图谋取王位的坦格利安家族、有着不可告人秘密的兰尼斯特家族。这些家族各怀鬼胎，这个国家将会陷入一场混战.....

棒球大联盟2nd故事讲述了茂野大吾是个有着现役职业棒球选手的父亲的小学生。他因为向往曾经在棒球大联盟活跃的父亲·吾郎，而开始了在少年棒球队“三船海豚队”的棒球训练。但是，因为背负着茂野二世这个称号的压力，无法发挥出原来的水平，以至于1年还不到就放弃了打棒球，过起了缺乏朝气的生活。在迎来小学6年级的春季里，一个从美国海归的转学生出现在了大吾的面前。转学生的名字是佐藤光。光的父亲居然是吾郎的盟友——大联盟的佐藤寿也……

肖恩、哈维、小玩意、崔夫和凯莉开始了狂欢和狂喜的夜生活。Woody和Lol很开心，和他们的孩子住在一起，Combo还在监狱里。但情况正在慢慢改变。这是1990年，这是英格兰。

Ruby Wax’s interviews in the 90s were some of the most talked-about shows on TV. These sensational series have never been repeated, and Ruby has never watched them back - until now.

TV Colosso was a Brazilian children's television series produced by Rede Globo, that began on April 19, 1993, and finished on January 3, 1997. The show utilized puppets, body puppets, remote-controlled animatronics and bluescreen puppets. It stars a group of working dogs in a TV station that struggle to put her TV shows on air. The show presented "Jornal Colossal"; "Clip-Cão"; "Pedigree", a parody of Rede Globo's soap operas; "As Aventuras do Super-Cão"; "Olimpíadas de Cachorro"; "Acredite Se Puder" satirizing the Ripley's Believe It or Not! ; "ColosShow"; "Asfalto Quente"; "Aprendendo Prá Cachorro"; "CapaShow"; and others. The show was created by Luiz Ferré, a graphic artist, who also created its characters; and directed by J. B. de Oliveira, famous for Rede Globo's hits No Limite and Big Brother Brasil. The puppets were created by Criadores e Criaturas, Ltda. and made by Roberto Dornelles from Grupo 100 Modos de Teatro de Bonecos. It was a big hit on Brazil and worldwide, but was cancelled due to intense production costs. In 2009, the show's return in April of the same year was discussed by the producer, but not happened. Also in that year, it was reported that an DVD box set featuring the show's most important episodes and a Broadway-inspired musical are in works.

在这部具有讽刺意义的剧情喜剧中，一对已分居的夫妇为了孩子而住在一起。本剧探索了现今社会中，何为好家长和好配偶。

A hotel's night manager is the only weapon against a dangerous arms dealer. Will he be able to stop him?

is a Brazilian television series for children, produced by Rede Bandeirantes in partnership with mixer and co-producer Nickelodeon Brazil.

The lure of Thailand's Ladyboys is so strong that many men will leave behind everything and everyone they know to be with them. This fascinating series follows two expats, Scott and David, and their ladyboy loves. Scott moves to Thailand to join his fiancé, Paeng, after a three year long-distance relationship. David introduces his ladyboy girlfriend, Annie, to his son and insists he is straight.

因为新能源资源的发现而建立的巨型漂浮城市・贝隆城。在那里经营着一家小公司的青年・修，因为平时花钱大手大脚而过着贫穷的生活。一位少女木更担心着这样的修，因此前往修的事务所兼家里。她在贝隆城里念着高中的同时，也照顾着事务所的工作和家务活。还有一位名叫绫野的是修以前所属公司的前辈同事，同时也是修的前女友，也很在意着修。漂浮在太平洋上的人工岛上带着略微奇怪关系的3人之间的恋爱喜剧开幕了……

15-year-old Zakaria will face the toughest decisions of his life as he deals with juvenile detention, a new foster family and the temptations of organised crime. After a failed rescue attempt by Muis, the problems of 15-year-old Komtgoed are growing rapidly. A fight in the street escalates and he ends up in the clutches of the judicial system. Juvenile detention and a foster family follow. As his problems increase, there seems to be only one way to make something of his life.

Mixels are mischievous creatures who live in tribes of three. They have the ability to combine with other Mixels, either within a single tribe or cross-combining to gain another tribe's abilities. All that is needed to combine are willing Mixels and a magical square known as a cubit. The colorful creatures have to look out for Nixels, who consider themselves superior and like to destroy Mixel combinations. Major Nixel, the group's leader, throws and kicks his underlings to steal cubits.

Foreigners out! Schlingensiefs Container, alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was conceptually designed by Christoph Schlingensief and directed by Paul Poet, and was styled as a mockery of popular TV program format Big Brother. It was critically aimed both at certain forms of television entertainment and at a latent xenophobia still thriving in the whole world.