相河一辉（高桥一生饰）在大学教授研究动物行为的“动物行为学”，半年前刚开始讲师的生活，但是他太喜欢各种生物，沉迷于研究，甚至不遵守大学的规则，每天都在职场挨批，而且他不太遵守时间，还被牙医吐槽没常识。一辉非常诚实，有时对学生的提问直接回答不知道，让学生困惑，他坚持兴趣，不守固定观念的样子也影响了身边人的价值观。

Mannat is a beautiful young girl who hails from a progressive family that values love, care, and mutual respect. On the other hand, Murad belongs to a conservative family where his mother, the matriarch, wields significant influence over his life choices. Despite their starkly contrasting backgrounds, Mannat and Murad’s hearts find solace in each other’s presence, and they fall deeply in love. However, their families’ interference creates misunderstandings between Mannat and Murad, testing the strength of their bond. Will their families agree to their union? Will Mannat’s family, with their open-mindedness, find common ground with Murad’s conservative household? Can Mannat and Murad’s love for each other withstand the motives of their families, who seek to create further misunderstandings between them?

Oh Yeah! Cartoons was an American animation showcase that appeared on the Nickelodeon cable channel. Oh Yeah! was an animation project guided by Fred Seibert, former Creative Director of MTV Networks and President of Hanna-Barbera. Produced by Frederator Studios, it ran as part of Nickelodeon's Nicktoons lineup, and in its second season, was hosted by Kenan Thompson of All That and Kenan & Kel fame; Then later by Josh Server, from All That, for its third season. Bill Burnett composed the show's theme music. Oh Yeah! Cartoons was distributed by Nelvana outside of the United States. In terms of sheer volume, Oh Yeah! Cartoons remains TV's biggest animation development program ever. Giving several dozen filmmakers the opportunity to create nearly 100 seven-minute cartoons, the series eventually yielded three dedicated half-hour spin-offs: ⁕The Fairly OddParents ⁕ChalkZone ⁕My Life as a Teenage Robot Nickelodeon's Oh Yeah! half-hour featured in its first season, a total of 39 brand new seven-minute cartoons in 13 episodes, surpassing the number of new cartoons and characters on any other single network. In its full run, Oh Yeah! Cartoons featured and produced over 99 cartoons and 54 characters.

中国首档奇趣实验体验类真人秀。一群性格各异的男人，逃离现实生活里的约束和压力他们以一个秘密基地为据点，每期策划完成一个霸屏热搜大企划。

A successful thirtysomething couple find themselves at a financial dead end; they are faced with an extreme lifestyle change to pay for their debts. The luxury lifestyle ends when they are forced to move into a rented apartment in the suburbs. But to their friends, they hold up a facade and explain it all with downshifting.

YouTuber Benjamin Cook explores modern sex in all its variety, interviewing members of the public and the cast of dramas Cucumber and Banana.

When relationships go bad and one partner becomes obsessive, the gruesome fact is that, sometimes, the victim can pay the ultimate price.

Ponderosa is a television series developed by Bonanza creator David Dortort for PAX-TV that ran for the 2001–2002 television season. Envisioned as a prequel to the long-running NBC series Bonanza, it had less gunfire, brawling and other traditional western elements than the original. Bonanza creator David Dortort approved PAX TV's decision to hire Beth Sullivan, creator and executive producer of Dr. Quinn: Medicine Woman to oversee scripts and executive produce, which some believe gave the series a softer edge. Ponderosa was canceled after one season, in part because of disappointing ratings and high production costs. Although Sullivan had hoped to film the series in and around Los Angeles, PAX decided to film in Australia to reduce costs. Series "show runner" Sullivan sustained severe injuries in a car crash only twelve days after the airing of the first season's last episode. The show should not be confused with Ponderosa, the title used for Bonanza reruns aired on NBC during the summer of 1972.

On Our Own is an American television series broadcast on CBS as part of their 1977-78 schedule. It featured Lynnie Greene as Maria Bonino and Bess Armstrong as Julia Peters, two employees in the Bedford Advertising Agency in New York who also share an apartment. Toni McBain was their boss, while April Baxter and Phil Goldstein were their coworkers. On Our Own was shot at CBS studios in Manhattan and edited at Unitel. The editor was Frank Herold. The show was filmed on location in New York in front of a live audience, which was somewhat unique for a show of its genre during the late 1970s, as most sitcoms were typically taped in Hollywood. The show aired from 9 October 1977 until 27 August 1978.

没有门铃只凭敲门拜访的侦探事务所，既是搭档又是对手的两位年轻侦探，兼职做饭打扫的美少女高中生，零食不离口的女警，还有定期出现在旧书店的神秘人……一群看似古怪的人，却让狡猾的凶手无处遁形。专攻动机分析的片无冰雨与专注研究作案手法的御殿场倒理，哪怕是让人毫无头绪的案件，两位分工明确的侦探也能通过天衣无缝的合作和默契来解决！

It’s always tough turning 40, but what better way to mark the occasion than a one-night stand with Shudder, the spookiest of streamers? It’s going to be the ultimate Hallow-anniversa-ween bash, and you don’t want to miss it! Hosted by the Mistress of the Dark herself and features a four-film marathon. Elvira, Mistress of the Dark (1988) House on Haunted Hill (1959) The City of the Dead (1960) Messiah of Evil (1973)

完全在意外的情况下，日本警方发现市面上涌现了大量同号假钞。警视厅搜查二课的负责人日笠（丰原功补 饰）拜托擅长假钞鉴定的岛代一郎（林遣都 饰），结果发现这种新型假币仿真度极其之高，一旦流入市场将给日本经济造成重创。与此同时，日笠命令下属宫园绘里香（黑木明纱 饰）潜入张燕燕（富坚真 饰）经营的珠宝行，以调查此人洗钱的内幕。得到张燕燕信任的绘里香随之来到台湾，与名为野野宫冬彦（及川光博 饰）的商人洽谈，而野野宫及其幕后大老板郭解（石桥莲司 饰）正是高仿真假钞的制造者。所有人的命运都被搅在一起，关系日本经济生死的重要时刻到来了……

该剧讲述了张仲景坎坷而又伟大的一生。张仲景是东汉末年著名医学家。

大日新闻社女记者麻仓智子（桐谷美玲 饰）拥有经济学的MBA学位，加上是该报社最大赞助商的女儿，最初自然令人青眼相待。可是完全不懂得采访办法的她写出来的报道不被社里采用，也被同事和领导视为卸不掉的麻烦。她不甘失败，将目光聚焦在老龄化问题，以“在家看护”为主题策划一系列的报道，等实际接触那些老人后才发现，她的设想未免过于理想化，生活无法自理的老人不仅给自己和家人带来沉重的负担，也不免以孤独死的悲惨方式离开人间。当智子的信念开始动摇之际，她才放过的老人却接二连三死亡，看似自然死亡的背后藏着不可告人的秘密…… 　　本片根据仙川环的同名原作改编。

James May's Big Ideas is a three-part British television miniseries in which James May, a journalist and self-acknowledged geek travels the globe in search of implementations for concepts widely considered science fiction, or his big ideas. The series is produced by the BBC and the Open University and began airing at 8pm on Sundays on 28 September 2008. The first episode documents his search for the ultimate form of personal transport, ranging from jetpacks to flying cars. In the second episode, May looks at bionics and robotics and if robots can exceed the boundaries of their programming. The third episode focuses on energy.